[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 1
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 2
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 3
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 4
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 5
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 6
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 7
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 8
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 9
[Kamisato Ayaka cosplay] Under the Cherry Blossoms of Inazuma: Re-evaluating My Performance - Image 10

Looking back at this set of previously shot photos of Kamisato Ayaka, I still find the combination of the makeup, styling, and scenery quite interesting. At that time, to recreate the classical atmosphere of Inazuma, a lot of effort was put into the set design—such as the Japanese washitsu Shoji doors and flower arrangement in the background, combined with the contrast of warm and cool lighting. This really brought out Ayaka’s character, blending the elegance of a young lady with a hint of sharp, imposing aura. However, looking back now, I feel that some makeup details, like the curve of the eyeliner and the bangs of the wig, could be further optimized. This is why I mentioned at the beginning of this post that I want to do a reshoot.

Looking at the final images, I am actually most satisfied with the first shot holding the blade and the fourth shot sitting in the seiza (formal kneeling) position. The shot holding the blade has a stable visual center of gravity, and the movement reflects the character's tension, matching the style of the Kamisato Art sword technique. The formal sitting shot leans more toward the character's serene and elegant side in everyday life, and the texture of the skirt hem looks very natural and unfolded in that sitting posture. Although I did my best to capture the character's demeanor back then, cosplay itself is a continuous process of self-evaluation and improvement. Especially for a character like Ayaka, whose personality has rich layers—gentle on the outside but resilient on the inside. To convey this feeling in an image, relying solely on costumes and props is not enough; it also requires more detailed expressions in the eyes and body language.

The idea for this reshoot is actually to make up for some past regrets. For instance, the hand-holding angle of the prop sword, and the depth of the set that wasn't fully utilized back then. Next time, I want to try some more dynamic or narrative-driven compositions, such as integrating elements like oil-paper umbrellas and folding screens better. In addition, the post-processing color tones will be adjusted to be cleaner and more transparent, hoping to get closer to the texture seen in the game's CG. After all, excellent Genshin Impact cosplay is not just about accuracy, but about whether it can bring a sense of resonance with the character to the audience through the lens of cosplay photography.