Shooting this Frost Blade styling of Kamisato Ayaka required a tremendous amount of energy right from the preparation stage. To present the most natural state in front of the lens, every detail of the makeup, styling, and costume underwent repeated adjustments. The wig was chosen as a short silver-white style, retaining a neat blunt fringe at the forehead, with sideburns falling naturally, and extended hair ends that gave the overall hairstyle a greater sense of extension. The headpiece was embellished with black ribbons, golden flowers, and a dangling tassel, which swayed gently with movement, adding a lot of dynamism. In terms of makeup, the eye contours were emphasized, and the red shading at the corners of the eyes, combined with colored contacts, attempted to restore the character's cold yet gentle temperament. The black choker around the neck features gold decorations, echoing the overall black-and-gold color scheme.
The layering of the costume is extremely rich. The top adopts an off-the-shoulder design, featuring a main fabric interwoven with black and dark blue, with dazzling gold piping embedded along the edges. A large amount of white ruffles and lace are spliced at the collar and cuffs, while the crossed white binding on the chest forms a strong visual contrast with the red rope tied at the waist. The blue gemstone decoration on the waist was also carefully fixed. The black leather gloves worn on both hands not only increased friction when holding the sword, but also made the overall styling look more sharp and capable. The lower body's attire is equally packed with details: the golden crisscross leg bindings extend all the way down to the ankles, paired with white split-toe socks, blue bindings, and black platform shoes, which visually elongate the leg proportions. Although stepping on the platform shoes requires a bit of effort to maintain balance while posing, the effect presented in front of the lens makes it totally worth it.
The shooting scene was arranged with rich traditional Japanese elements. The background featured shoji doors with wooden lattice frames, and a traditional Japanese lantern emitting warm light was placed on the left side. The ground was covered with pink cherry blossom petals, a Japanese paper umbrella with traditional patterns was opened on the right side, and artificial cherry blossom tree branches were interspersed throughout. To give the frame more layering, cool-toned ambient lighting in blue and purple was used on-site. This cool-toned light echoed my silver-white wig and created a sense of mystery over the black-and-blue toned costume. The warm-toned lantern intertwined with the cool-toned ambient light, making the colors of the photos much richer.
The sword I am holding in my hand is a prop accessory of the Frost Blade styling; although it looks imposing, it is actually quite heavy to hold. To keep the posture stable, both the arms and wrists needed to exert continuous force during the shoot. In the first picture, I chose to sit on the tatami mat, extending both legs forward to display the leg bindings and shoe-and-sock details, while holding the sword up with my right hand so that the cherry blossoms and lantern naturally appeared in the background. The second picture shifts to a half-length close-up, turning sideways and looking back at the camera with the blade blocking the front. This angle required attending to the subtlety of facial expressions while ensuring that the glove-wearing posture holding the sword didn't break character.
The entire shooting process was quite a test of core strength. Because I had to kneel, get up, and adjust poses on the tatami mat while wearing platform shoes, and ensure that the clothing folds and ruffles remained fluffy rather than sticking flat against the body, it demanded a lot. Sometimes, for the placement of a gaze or the angle of holding the sword, I would try a few times repeatedly. The cherry blossom petals on the set also tested the coordination between the photographer and me, because even a slight movement could make the petal positions look messy, requiring readjustment. The specific mole on the face was also a spot that needed careful reinforcement during every touch-up. Judging from the final photos, the cool-toned light and shadow as well as the material details of the costume were wonderfully presented, and that feeling of sharpness hidden within quietness was effectively conveyed to the audience through the lens.