Today I cosplayed The Shorekeeper from Wuthering Waves, and the convention photos are freshly released. The details of this outfit are truly abundant; the blue-and-white interwoven color scheme combined with a large amount of transparent sheer fabric visually delivers that profound sense reminiscent of the deep sea or a starry sky. Besides the multi-layered ruffles on the upper body of the costume, there are also silver lines resembling bones or vines. Paired with necklaces and decorative rings on the arms, wearing them requires extreme care, fearing snagging the mesh fabric. Because the character's setting carries a hint of melancholy and mystery, I put a lot of thought into the makeup. The eye makeup utilized a large-area blue-pink gradient blending, matched with bright blue circle lenses. To capture that special texture, the wig bangs were trimmed multiple times to ensure they flattered the face shape perfectly before the lens, and the large bow on top and the hair strand directions were also styled.
The lower body design is also a key focus: the irregularly tailored white short skirt is spliced with a transparent outer gauze, with the most eye-catching feature being the two long, cascading blue gradient skirt trains. To capture this ethereal floating feel amidst the noisy convention environment, it took a great deal of effort, selecting the right positioning and cooperating with a bit of artificial wind to make the fabric present a gorgeous fluidity. The legs feature White stockings, with specially painted white patterns resembling tree branches or ice cracks on them, paired with light blue cross-strapped high-heeled sandals, visually elongating the lower body proportions wonderfully. When sitting on a high stool, to ensure the leg lines and muscle state looked good, I had to keep my toes pointed throughout.
It must be mentioned that the overall costume material, though gorgeous, has mediocre breathability; walking a circle around the exhibition hall is indeed hot, and to ensure the costume's silhouette doesn't warp, sitting down and standing up must be done slowly to prevent deep wrinkles from pressing in. The on-site lighting environment was quite complex, but fortunately, the photographer found a relatively dark corner, using a large aperture to blur out the background crowds and messy exhibition booths, and then used constant lighting to perfectly showcase the subtle glimmers on the blue skirt train and the translucency of the sheer garments. Holding that small blue butterfly prop while posing quietly or reaching out, I hoped to slightly convey that state of the character waiting by the seaside. Wearing such heavy-work clothing and cumbersome accessories is indeed a bit tiring, but seeing the perfect coordination of light, shadow, and fabric in the final photos makes all the previous effort worthwhile, and the overall frame texture is deeply satisfying.