For this everyday styling of Atri, the wig is a specially customized light gold long straight hair. Although the hair texture is relatively smooth, to create that natural fluffiness, I first smoothed it with a wide-tooth comb before wearing, and then sprayed some volumizing spray onto the roots. The blunt bangs and sideburns were trimmed piece by piece based on the original artwork; they shouldn't be too heavy, retaining a bit of airy feel. That iconic ahoge on top of the head was pinched out bit by bit with hair wax and strong styling spray, and it can stand up by slightly paying attention to the angle during shooting. The small black bows on both sides are also purely handmade; after comparing with the original art, I chose a matte-textured ribbon so it wouldn't look cheap under the lighting due to reflection. The entire wig trimming and styling took me almost three hours because I needed to adjust the direction of the hair strands so they would wrap around the face shape when draping down. For the makeup part, the key is to highlight the red eyes. I chose a pair of red colored contact lenses with relatively high color saturation. To match this eye color, the overall tone of the eye makeup leans warm. The eyeshadow used a light brown for a large-area base, with a bit of red-brown added at the outer corners of the eyes for depth, and then a dark brown eyeliner pen was used to draw a tiny bit of the outer corner. The lower eyelids brought a slight subtle shimmer to increase the three-dimensional feel of the eyes. The base makeup pursues a natural fairness, using matte setting powder to avoid oiliness under camera flashes. Lipstick was chosen as true red, applied lightly and then blended at the edges with fingers to make the lip shape look a bit softer. Because the character setting of Atri carries a somewhat unearthly mechanical feel, I didn't excessively pursue three-dimensional contouring in my makeup, but instead maintained a relatively flat yet clean anime style. I also deliberately dotted a very small mole under the eye to increase the character's recognition. The clothing is a classic sailor suit design, with a white base and blue collar, paired with a red neckerchief. When wearing it, I deliberately adjusted the position of the collar so that it lay flat and close to the shoulders and neck, and tied the neckerchief relatively neatly to ensure it looked crisp in the lens. To break the rigid standing posture, I gently pinched a strand of long hair on the left side with one hand while tilting my shoulder slightly, making the whole person look more vivid. The light in the photos hits directly from the front, and the background consists of my home's white wall, door, and blue curtains; having no complex background allows for a better focus on the color collision between the clothing and makeup. During the shoot, I chose the main light source to hit the face directly, which makes the skin look more translucent while allowing the white and blue of the sailor suit to form a sharp contrast. Although the overall action is a simple selfie, through hand movements and head tilting, the frame gains a certain sense of extension. The whole styling looks simple, but whether it's the texture of the clothing, the trimming of the wig, or the matching degree of the makeup, all require a lot of time to adjust. This kind of everyday-oriented styling actually heavily tests details, because once something isn't handled well, it will look somewhat discordant. I am quite satisfied with this shoot; not only did it restore the character's classic appearance, but I also found a relatively comfortable state during the shooting process. I usually really like this kind of scene with a bit of daily life breath when cosplaying; there's no need to specially build a complex studio set, and being in a familiar environment actually allows me to showcase the character's charm more relaxed. I hope everyone can also feel this relaxed atmosphere when looking at the photos.