On a spontaneous whim, I decided to shoot a Touhou Project cosplay set in an actual subway station. Paired with a long Sailor suit, the resulting effect was surprisingly true to the character's everyday yet subtly fantastical vibe. Having previously shot mostly in studio settings, which always felt like they lacked a touch of lived-in atmosphere, I was drawn directly to the subway setting—it captures both the classic anime after-school routine and a moody, rainy-day narrative. Although I refrained from tagging a specific character to avoid disputes and simply tagged Touhou Project, I personally love the overall atmosphere.
For the costume selection, rather than choosing an overly elaborate style, I opted for a classic white-base Sailor suit with dark stripes paired with a dark pleated skirt. Since the original design includes White stockings, to better match the relaxed, everyday vibe of 'waiting for you after class,' I paired it with white over-the-knee socks. The lighting was great that day; the cool artificial lights inside the train carriage blended with the natural light spilling onto the platform, giving the skin texture a very translucent look. The transparent umbrella was one of the soul props of this Subway photography shoot—whether held in hand or placed on the floor, it cast lovely reflections of light and shadow, adding depth to the frame.
The coordination with photographer @Hongyin (Photography Edition) was seamless. We mainly utilized the metal handrails of the subway car and the infinite vanishing lines of the platform to create visual leading lines. Inside the train car, I focused on close-ups and bust shots, using the reflections on the clear window glass to make the eyes look remarkably bright. Once on the platform, I tried crouching and standing poses, which, combined with a salute gesture, looked much more lively. There were small hiccups during the shoot, such as continuous station announcements and occasional curious onlookers, but I did my best to adapt to shooting in an open public environment and immerse myself naturally in the state of getting out of class or waiting for a train.
As for post-processing, this set didn't rely on exaggerated color grading, focusing primarily on preserving the clean white of the Sailor suit and the glossy highlight texture of the green hair, while keeping the background softly blurred to emphasize the subject with a gentle, dreamy feel. In photography, what matters most is not being strictly confined to a specific character design, but faithfully capturing that unique atmosphere and temperament. Wearing a Sailor suit in a subway station brings the joy of breaking the fourth wall; the reflection of the white socks on the platform floor created beautiful lines, and the overall composition felt spacious. I really love these finished photos that blend everyday life with delicate details, serving as a wonderful record of my recent shoots.