I finally freed up time to shoot an indoor set with this Ye Shunguang Cosplay makeup and styling. As a character in Zenless Zone Zero, her overall design has a very strong visual contrast. The large area of silver-white layout paired with just the right amount of red as visual guidance makes the character feel both fresh and slightly sharp. Taking advantage of a quiet weekend, I set up a simple temporary set in a corner of my living room at home, recording the details of this white dress outfit using direct flash.
For the makeup this time, the key focus was actually the eye makeup. The red-brown eyeshadow needed to echo the color of the red contact lenses, while small red dots were specially added on both cheeks—not only restoring the character's facial features, but also making the face more vivid on camera. For the base makeup, I pursued a clean, translucent look, paired with a natural nude lip glaze so the overall face wouldn't look too jarring against the red eye makeup. Expressions also needed to match the character's aura: avoiding overly wide smiles and maintaining a cool, focused gaze, so the final photos carry the character's true charm.
The wig was a crucial part of this look. The layers of the silver wig tend to flatten easily, requiring plenty of time beforehand to comb and tease, boosting the fluffy layered feel. The red highlights on both sides were pinned with clips, creating a clear visual center when combined with the white horn-shaped headpiece on top and the bright red rigid headpieces on the sides. Fixing these accessories required extra care because the wig itself was silky; invisible clips had to hold them firmly at the roots to ensure headpieces wouldn't shift during posing—a detail that had to be repeatedly checked before going on camera.
For the outfit, I chose a complete white stand-up collar paneled design, where Chinese frog button elements gave the clothing a refined cut. The semi-transparent sleeve wrapping my left arm, paired with silver metal rings, reflected light beautifully under the flash, adding depth to the attire. The silver ring pendant hanging at the waist, combined with the red arm straps, nicely broke the monotony of large white areas. Because the costume is a tailored fit, shooting—especially in sitting poses (the second cover photo)—ably highlighted the cut lines of the white dress outfit and the sleek body proportions of the silver-haired character herself.
Regarding props, I used a large silver-white weapon. Although it's a prop sword, its surface textures were intricately carved. Holding it gave a tangible weight; when striking sword-holding poses, arm muscle tension naturally emerged, instantly bringing out a sense of combat when paired with the character's sharp gaze. I chose an easy-to-manage angle that brought both the circular handguard on the hilt and the sword's streamlined design into the frame, making the prop a visual focus as well.
Shooting indoors with direct flash produces hard lighting, but it excels at emphasizing the person's outline and the detailed texture of the costume. Without the hassle of searching for natural light, you can achieve clean visuals as long as exposure and distance are controlled. Throughout the entire shoot, my understanding of this character deepened. Selecting the second image as the cover was mainly because the pose felt natural, simultaneously showcasing upper-body costume details and lower-body skirt lines with stockings, while keeping the person centered in the composition with strong overall unity. It was a very enjoyable cosplay shooting attempt.