Preparation for this Changli styling took about half a month. After getting the orange-pink wig, I trimmed the sideburns and bangs myself, using plenty of hair wax and styling spray on the white gradient section at the ends to pinch out those fluffy yet messy lines bit by bit. The black bow and golden hair ornaments on top of the wig were custom-assembled based on visual references; to keep them secure, the clip positions were readjusted several times.
In terms of makeup, the eye makeup was the focal point this time. Because Changli's eyes are exceptionally expressive, I chose amber-toned contact lenses, applied an orange-brown eyeshadow base over a large area, deepened the outer corners of the eyes, and elongated the eye shape using a gel eyeliner pencil. Blush was brushed under the eyes and on the tip of the nose, and the lip texture was chosen to be ruddy to match the overall warm-toned orange hair. The beast-claw body paint on my collarbone and shoulders was drawn with specialized pigment; it took forever to scrub off when washing up back home, but on-site it looked truly fantastic, echoing the golden ring on the collar.
Costume details were more complex than expected. The black-and-white contrasting high-collared neck wrap features diamond-shaped hidden patterns with golden edges, followed by an intricate white crisscrossing strap design below. My absolute favorites are this pair of orange-red long gloves; even though wearing them for an afternoon shoot in Guangzhou's weather made my hands a bit stuffy, the texture of the gloves paired with the red cape on the costume delivered a powerful visual impact. When the white furry tassels hang down, the layering of the entire styling truly comes together.
The composition of the first photo is a half-body close-up where I lightly stroke the side of my face, lifting my chin slightly while locking eyes with the lens. This not only showcases the shoulder and neck lines but also frames the chest strap design and collarbone body paint completely. The second shot features a hand reaching forward toward the lens palm-first, creating a more interactive feel.
In the anime cosplay circle, everyone loves calling Changli 'Consort Changli,' which is why the caption says 'Welcoming Consort Changli back to the palace.' This character possesses a very unique temperament—on the surface she is composed and gentle, but beneath lies an unfathomable strategic mind. While preparing for the shoot, I kept pondering that composed sense of control. When shooting the second hand-reaching pose, I deliberately relaxed my shoulders, presenting a gesture with my wrist that felt both inviting yet somewhat probing, repeating inwardly: 'Matching wits with you as equals is truly a great fortune.' The charm of Changli as a character lies in how she stands there without needing grand gestures, yet immediately makes people feel the inner strength she carries.
The shooting location was right in front of an indoor white wall, utilizing a softbox for direct frontal lighting. During post-processing retouching, I tried my best to preserve the authentic texture of the skin, avoiding excessive skin smoothing that would cause facial features to lose their three-dimensional depth. From fitting and shooting to post-processing, I participated in every single step of this photo set, hoping to bring out that composed yet slightly alluring atmosphere of Changli.