To capture this Robin cosplay styling well this time, the preparation work beforehand was quite a lot. First is the grooming of the wig; this kind of light purple long wig easily looks frizzy. The night before, I soaked it in warm water with hair conditioner, blew it dry along the hair strands the next morning, and then gradually brought out a natural arc with a curling iron. Trimming the bangs also took some thought; they needed to just cover the eyebrows, and matched with the two white feather hair accessories on the sides of the hair, the overall look could have that lightweight feeling.
In terms of makeup, because the overall tone leans cool, for the eyeshadow I used a transition of light purple and grayish pink, keeping the eyeliner extended as much as possible while maintaining slender lines. The base makeup pursued a clear and translucent look. To echo the faint sense of detachment on the character, I dotted some small freckles on my shoulders, neck, and collarbones to add a bit of realism.
The matching and adjustment of the clothing also took up a large part of the time. The fabric of this white and purple dress has a slight sheen, and the purple ruffles on the edges needed to be ironed flat layer by layer with a steam iron. When wearing it, special attention also had to be paid to the position of the waistline. The pearl necklace and white neckband stacked together on the neck can modify the neck line very well. The white gloves on both hands and the white stockings on the legs are the key to the entire styling. The ruffled lace on the edges of the gloves needed constant adjustment, and the white stockings reflect light very easily under the lighting. During the shoot, I kept reminding the photographer to pay attention to avoiding direct light and to use more side-backlighting to outline the leg lines, keeping the frame soft.
The arrangement of the indoor photography scene also took a lot of thought. The checkered floor alternating between pink and dark red, plus floral wallpaper, inherently has a strong retro feel. To avoid the frame looking too empty, I placed a huge brown teddy bear doll behind me, next to a vintage chest of drawers with a white background and gold edges, tied with white satin ribbons on top. The bouquet held in my hands used white wrapping paper, and the flowers were pink and white, just echoing the color of the floor.
When sitting on the ground to pose, to maintain the shape of the skirt hem, I needed to constantly adjust the bending angle of my legs, both letting the purple ruffles of the skirt hem spread out naturally and allowing the texture of the white stockings to be perfectly presented. The posture of holding the bouquet with both hands looks effortless, but actually, to avoid the bouquet blocking the design of the dress, the strength of the arms and wrists was controlled for a long time. Although the body felt somewhat tired throughout the shooting process, seeing the effect presented in the lens made me feel that these preparations were all worth it. Every roleplay is a process of materializing a virtual character, and piecing these details together bit by bit is in itself a very fulfilling thing.