Actually, it has been a while since this set of photos was shot at Longxiang. When I dug them out to look at them, I even felt a sense of daze, like "when was this taken?" But looking at the light and atmosphere of the outdoor location, that casual feel close to real life really hits home for me.
This shoot mainly focuses on a relatively lightweight daily feature, without deliberately striking any cool actions or exaggerated special-effect poses, which counts as trying out the so-called "fansite photography follow-shot style." In that environment where people come and go while roaming the convention floor, the relaxed feel captured by the photographer is truly rare. Pacing under the colonnade, sitting on a park bench drinking juice, and even looking back while checking the camera preview on my phone later—these were actually the real movements we were doing while resting and walking during the convention. Perhaps precisely because we used subtraction, it made the character look much more vivid, without that stiffness of staged posing.
In terms of costume, makeup, and props, to align with the daily-oriented concept of "Senior Sister Aya," we made quite a few lifestyle choices. The outerwear is a basic white short-sleeved shirt, paired with a preppy blue-and-white striped tie, plus a high-waisted black large-flare long skirt, and that substantial pair of black platform loafers on my feet. This combination both retains the character's original elements and looks highly stylish in a real-world context. I must mention the pairing of those black tights; in the outdoor setting of May at the convention, the intense sunlight shone on the black high-waisted long skirt and tights, forming a very clear textural contrast. This both guaranteed a sense of weight in color and made the overall outline look very clean. The photographer's composition was also very mindful of these small details; the sitting posture in those bench photos not only displayed the overall proportions but also perfectly revealed the leg and shoe space in the Campus style outfit, balancing a daily feel with visual grip.
For the wig, I chose a light gold with a somewhat creamy texture, and the fluffiness at the crown was handled very naturally, avoiding a wiggy look. Combined with the slightly curled layers at the hair ends and the small white plumeria hair accessories on both sides of the crown as embellishments, it is instantly highly recognizable. In terms of props, we specially prepared a light-colored phone with a large circular camera module and a transparent plastic iced drink cup. The addition of these small items broke the serious uniform feel brought by the clothing just right, giving the entire frame a bit more of the flavor of everyday life. Moreover, the lighting at the Longxiang venue in May was absolutely incredible. The side-backlighting near evening diffused in from outside the colonnade, casting onto the white shirt and golden hair. The highlights on fair skin were very soft, and the background bokeh effect of the surrounding greenery and companions was also highly translucent. I'm extremely satisfied with the final texture of the photos.
To be honest, cosplaying a character with a more daily setting doesn't require too many traces of performance in front of the lens; you just need to maintain a relaxed and comfortable posture. Instead of deliberately interacting with the lens with your gaze, it's better to treat it as a real afternoon tea break. When you truly see yourself as a "senior sister" passing through this scene, that composure and calmness in your eyes can naturally be captured. Putting aside complex action scheduling and returning to the character's own daily context also allows everyone to see a more real-life, warmer side of this character. I think this was a very interesting attempt for this photoshoot feature.