This time, we shot two stylings of Arknights Amiya: red and blue. The red series is a knight outfit leaning toward a Vampire Interview style, while the blue series is the Universal Soloist mage style. When splicing these two sets of photos vertically together, the color collision of red-and-black and blue-and-black indeed presents a neat, princess-and-prince-like visual contrast.
Let's first talk about the red-and-black knight styling. The inner white shirt features bishop sleeves and lace cuffs, covered by a black-and-red double-sided cape, with the red-and-black striped bowtie and ruby at the neckline serving as the finishing touch. To match this somewhat tough knight style, the makeup heavily reinforced the depth of the eye area. The silver cross greatsword prop is quite heavy; when holding it horizontally with one hand or executing a diagonal slash, the core needs to be tightly engaged to control balance, otherwise the arms easily shake. In actual shooting, utilizing the drape of the cape to guide the composition's visual flow can make the movements look more relaxed and extended.
The blue Universal Soloist styling focuses on the presentation of the headwear and props. The huge blue-and-white spliced wide-brimmed hat is extremely eye-catching, matched with golden crown spike decorations, requiring finding the right center of gravity when worn on the head. The cape's lining is printed with golden star patterns, which adds layering to the frame when the cape is pulled open. The black cross-straps on the arms and the spiked choker around the neck add a bit of gothic flavor to the overall look. The violin and blue bow in hand are fantastic interactive props; I tried holding the bow with a sword-gripping posture to maintain a certain inner character temperament consistency across both stylings.
As Amiya's signature features, the dark brown long straight hair and that pair of long beast ears required constant adjustment during the shoot. To make the beast ears look natural with a plush texture and an angle that doesn't look awkward, I spent a lot of time styling the wig. Paired with bright blue circle lenses, under the high-key lighting of the white studio, the presentation of catchlights in the eyes was especially crucial. The biggest advantage of shooting in a white studio is being able to completely strip away environmental interference, concentrating all visual focus on the costume's materials, color contrast, and the character's expression.
Although the stylings span a relatively large stylistic gap, through a unified makeup foundation and signature beast ears, character recognition was still maintained. The contrast between red and blue is not only a collision of colors, but also a multi-faceted display of the character's temperament under different settings. From garment tailoring to prop gripping, the deliberation of every single detail was meant to make the frame more enduring to look at, which was also the focus of continuous communication and adjustment with the photographer during this shoot.