This photoshoot features Kochiya Sanae, the Moriya shrine maiden from Touhou Project. Looking at the comments in the post, it really is the \"instant noodles design again,\" and going into this shoot with that self-deprecating mindset was actually quite fun. Preparation started with the wig and accessories. To recreate the straight, smooth drape of this turquoise long wig, I spent a lot of time detangling it beforehand to avoid obvious frizz while aligning the bangs to reveal facial features. Luckily, the white headpiece with red and green polka dots stayed firmly clipped on top during the studio shoot without falling off.
For the outfit, I selected a white-and-blue pattern style with wide ruffled sleeves. Although they look graceful, they crease easily when moving and required manual smoothing between shots. The dark blue water-ripple pattern on the skirt has strong reflective quality, showing that the fabric possesses weight and texture rather than feeling cheap and flimsy. The Gohei prop in my hand was custom-made, complete with detailed metal accents and a blue gemstone at the top. The attached light blue ribbons hang down naturally when still, but considering the movement range, I secured them slightly to avoid covering outfit details.
The venue was an indoor exhibition or studio setting featuring a deep black backdrop with two rows of circular top lights above. This lighting style concentrates illumination from above, casting a clean sheen on the green wig while clearly defining the character's silhouette and outfit textures against the black background. When operating the camera, a slightly low angle was chosen to give the stance of holding the Gohei more presence.
Regarding the character herself, Sanae is a lively concept. As the Moriya shrine maiden, she embodies a modern person adapting to a traditional role. Real-life cosplayers are much the same—donning an exquisite shrine maiden outfit and holding a Gohei looks authentic, but off-camera in daily life, she's just a normal person eating instant noodles and sleeping in. This gap moe makes her grounded. Poses needed to avoid stiffness while expressing maidenly dignity; as my arms raised, the naturally cascading sleeve folds and tassels formed central visual lines key to ancient-style attire.
During shooting, I communicated extensively with the photographer regarding waistlines and hand positioning. Because the prop is long, holding it too high or low made the composition feel cramped. We settled on a middle grip with a slight upward-right diagonal extension to balance the long draped hair. Against the black backdrop, all elements gathered toward the center without clutter, yielding a clean final output.
Reviewing the shots afterward, this look captured Kochiya Sanae's core features alongside a divine, serene atmosphere. Truthfully, managing long hair and wide sleeves mid-shoot is inconvenient, but the effort paid off for the final presentation. Heavy post-processing was avoided, relying on studio lighting to highlight natural fabric textures and wig sheen for a realistic look.