[Cirno cosplay] Touhou Project's Shrine Maiden of the Mist Shrine Arrives - Image 1
[Cirno cosplay] Touhou Project's Shrine Maiden of the Mist Shrine Arrives - Image 2
[Cirno cosplay] Touhou Project's Shrine Maiden of the Mist Shrine Arrives - Image 3
[Cirno cosplay] Touhou Project's Shrine Maiden of the Mist Shrine Arrives - Image 4

The theme of the Mist Shrine maiden was decided during the planning stage to be integrated with the red torii gate in the background, and we searched the exhibition hall for a long time before finding this suitable spot.

The core of this outfit lies in the layered feel of the blue and white colors and the balance of details. The light blue short wig was styled with inner support when worn, and the blue bows and ice crystal-like accessories on both sides echo the overall details of the costume. The main body of the dress is white, paired with light blue grid patterns and a massive number of ruffles, with every fold and edge trimmed with lace. A blue and white ribbon bow is tied around the waist, with a specific badge adorning the chest. To prevent the skirt from collapsing, the petticoat used three layers of different materials to maintain the umbrella-like expanded effect, so that the fluffiness can be maintained when sitting or walking.

The lower body is paired with white over-the-knee socks. Together with these thick-soled, criss-cross strap geta-style shoes, it not only elongates the leg lines but also makes the overall look fit the shrine elements better. After selecting the red torii gate as the main background, we used the open environment on-site to try various angles. The top of the hall is a structure filled with metal grids and row lights; this cold, hard industrial architectural style forms a very interesting visual contrast with the exquisite, soft dress, beautifully presenting the unique charm of Anime-style photography.

During the shoot, it was necessary to constantly adjust poses to accommodate the movement of the skirt. For example, when sitting, the skirt needed to be spread out layer by layer, and when standing, it needed to be lifted to show the layers underneath, which is why there are a few photos of me holding the skirt—mainly to showcase the ruffle details of the hem. The photographer, Kazami Mutsuki, is very adept at utilizing the backlighting and ambient light on-site. Set against the dot-like lights and combined with the snowflake special effects added in post-processing, it beautifully set off the icy atmosphere.

Actually, exploring this shrine maiden concept is also because in many secondary creations, the character is often bound with shrines, shrine maidens, and winter scenes. We wanted to use this outfit to recreate that slightly crisp yet playful feeling. The color grading of the entire photo set wasn't made too intense; we tried our best to maintain the texture of the scene and the premium quality of the grey tones, ensuring that the blue and white tones of the costume wouldn't be washed out by the metallic colors of the background. Although the skirt reaches the ground and isn't convenient to run around in, we indeed put a lot of effort into the snapshots of jumping and spinning to ultimately present a light and flowing dynamic sense for this cosplay project.

Selecting this white and blue color scheme was largely because I hoped to present a clean, pure feeling in the frame. Combined with the post-processed ice crystals and snowflakes, it brings the overall atmosphere to a serene winter snow feel. The red torii gate serves as an excellent visual anchor here, providing a striking contrast to the large areas of cool-toned images. During the photography process, we tried our best to maintain natural expressions under natural light, avoiding the stiffness of deliberate posing, hoping that the audience can feel the original intention behind this styling design—which is relaxed, natural, while fully displaying the design details of the costume.