These photos are indeed shot with quite dark lighting, but I feel that these low tones actually max out the atmosphere of the wasteland ruins. Generally, cosplay photos aim for bright, high-key lighting, but for these abandoned stairs and rooftops, only by utilizing deep grays and shadows can Exusiai's unruly and free-spirited temperament blend so perfectly with this ruined urban backdrop. Although the photographer jokingly teased that the shoot turned out "so dark," it actually fits the setting of "Penguin Logistics" in a war-torn scenario perfectly, carrying a strong sense of storytelling.
Regarding the face-retouching issues that everyone mentioned, under this kind of backlighting and silhouette style, the facial structure is naturally half-hidden in shadows. This actually preserves the real skin texture and the three-dimensional feel of the facial features without the need for excessive skin smoothing or liquefying. Especially in that close-up shot, the amber color of the contacts, the details of the eye makeup, and the layered texture of this trimmed red wig are all clearly visible. The natural makeup and styling beautifully convey the character's lively nature.
The shooting process was actually quite exhausting. Walking around a venue full of dust and rubble required extra caution, and I also had to make sure not to get the costume and props dirty. The yellow geometric light wings and the angel halo on top of my head looked exceptionally bright against the dark background, instantly enhancing the anime feel of the frame. I specifically checked the gloves, waist pouch, and ribbons on the clothing, striving to make every accessory fit flawlessly. I believe high-quality roleplay shouldn't just pursue so-called perfection in a studio, but rather place the character within a real physical space, generating a cross-dimensional sense of reality through light, shadow, and environment.
For this kind of wasteland style shooting, my personal preference is to preserve the roughness and graininess in the image, which makes it much more memorable than intentionally bright and clean shots. Photo 2 on the stairs perfectly uses the natural light peeking through a narrow slit in the corridor, forming a beautiful rim light that outlines the edges of the hair and light wings. This combination of backlighting and sidelighting places high demands on the photographer; although it turned out as a semi-silhouette of me, the visual impact is truly fantastic.
As for the back view on the rooftop in Photo 3, I like it a lot too—looking out at the city ruins and the distant mountains gives a very open and vast feeling, and the pose with the light wings spreading out against the background looks very grand. Although the site was full of mud and clutter, seeing the authentic graininess and the interplay of light in the final photos made all the effort worthwhile. The entire set is on the darker side, which I treat as a special experiment. I hope that within this specific ruins setting, everyone can see a different yet equally vivid Exusiai, carrying a hint of smoke and dust.