When shooting Coquelic this time, the most thought-provoking part of the pre-production was the costume texture and the pairing of props. To restore the character's visual contrast of being both holy and dangerous, I specially selected a large amount of lightweight chiffon and lace fabrics, overlaying multiple layers of pleats to simulate the depth of flower petals. The red woven decoration on the chest was completed by hand-winding, which, paired with the long white wig, creates shadows and translucent effects under strong light that perfectly fit the character setting.
Lying in the pile of flowers during the shoot, I adjusted the postures of my hands and legs countless times. To keep the body lines clear amidst the complex fabrics, I had to pay constant attention to the flow of the skirt hem. This time, we used a single-sided hard light, intentionally darkening the background to focus the visual attention on the character itself while letting the white flowers and red details collide in color. The post-processing didn't do too much retouching, preserving the texture of some flying dust and hair strands to restore an authentic photographic feel as much as possible.
As for the technique of posting the cover image, many fellow hobbyists might not have noticed the update on Xiaohongshu yet: cropping to 9:16 and then using the long article feature for layout can indeed make the image fill the screen, offering a much stronger visual impact than traditional proportions. However, remember to delete the text on the cover photo to keep the image pure. A lot of effort went into the details of this shoot, from makeup to nails, trying to stay as close to the setting as possible. I hope this gorgeous Dark style can help everyone feel the charm of this character through this successful Anime-style photoshoot.