Regarding this set of official photos of the Eldest Daughter of the Scarlet Devil Mansion, I had already decided during the early preparation stages to present them via a studio portrait. As Remilia from the Touhou Project, her iconic elements include not only that pair of black bat wings but also her pink-themed gorgeous Lolita fashion dress and that red spear. In this set of photos, I hoped to bring out a temperament that both fits the setting and carries a bit of personal interpretation in terms of prop restoration and visual composition.
Let's talk about the costume first. The patchwork of pink and white is the core color scheme, creating a wonderful visual contrast with the light blue short hair and red decorations. The skirt hem of the dress utilizes a large area of pink fabric, and the multi-layered ruffled edges combined with the translucent tulle base layer give the skirt hem an excellent drape and lightness. The red ribbons and bows at the collar, cuffs, and waist are details I absolutely love. Red accented within the pink doesn't look overly sugary sweet; instead, it elevates the level of exquisiteness. Additionally, there is that pair of little devil wings on the back; although they are partially hidden by the skirt hem most of the time, they reveal beautifully when turning around or posing sideways. Including the white bow headpiece on top of my head, it uses stiffened fabric to prop up the shape, and wearing it on set truly allowed me to enter the character's zone instantly.
Regarding that weapon, namely that red spear, it occupies a large proportion in Figure 2. This prop was made with a lot of care, possessing a red color with a subtle matte reflective texture. Its weight in hand is just right—not too heavy to affect the stability of the poses, nor too light to break immersion. I believe props are one of the souls of cosplay, especially for this kind of combat-type character; once you hold the weapon, your entire aura changes with it. In the presentation of Figure 2, I hold the red spear with both hands, and looking from the front, the main subject, the weapon, and the circular white platform form a stable triangular composition, making the frame look both tense and adequately dignified.
During the shoot, the photographer Nanfeng maintained a wonderful rhythm for the studio portrait. Because it was a solid-colored background, the focus fell entirely on the character and the costume. The lighting was hit quite translucently, managing to preserve the texture of the pink dress, the layers of the ruffles, and the details of the white lace ankle socks. The skirt-lifting movement in Figure 1 counts as an attempt at gap moe; although the girlish posture displays the fluffiness of the skirt hem, my mind was thinking about the majesty of the Scarlet Devil Lord, the King of the Night. This contrast of "cute appearance, noble identity" is precisely where this character's charm lies.
In terms of hair and makeup, the light blue wig was trimmed and styled, with the curves of the bangs and sideburns framing the face shape perfectly. The base makeup and light-colored contacts made the gaze look softer, but the delineation of the eyeliner retained a hint of sharpness, ensuring that the transmission of the gaze was more on-point when taking photos. During the shoot, I actually tried some slightly more lively expressions, but the final selected images opted for a more composed demeanor to align with the confident temperament of the "Master of the Scarlet Devil Mansion" in official photos.
To me, cosplay is not just about putting on a certain piece of clothing, but also a secondary depiction of the character. This Lolita fashion dress paired with chunky-heeled Mary Janes beautifully elongates the body proportions, and with the white slouch socks, it keeps the lower body from looking visually dull. If there is an opportunity to shoot this character again in the future, perhaps I can try some more dynamic scenes, such as swinging the spear or spreading the wings. However, under this rather formal studio portrait style this time, maintaining a clean frame and the completeness of the character performance was the goal I wanted to achieve. I hope to present this dedicated styling, photography, and post-production to people who also like this style; that is precisely the meaning of this set of pictures itself.