[Ling cosplay] Arknights Sui siblings group photoshoot: Progress Record of My Second Ling Cosplay

Sharing a quick preview snapshot from the screen, this Arknights Sui siblings group photoshoot has successfully concluded.

Getting everyone together to shoot such a large-scale group portrait was indeed not easy. From the early discussions on storyboards and determining costume details to building the studio set on-site, arranging Japanese-style screens, and adjusting lighting angles, the whole process took over a dozen hours. There was a scene in the middle where everyone sat around a round table for a meal. In the center of the table was a large scenic layout, surrounded by tableware and teacups, with lighting shining from the side, making the visual impact of the entire frame stunning. Coupled with the studio's large softbox for fill light, the overall color tone leaned towards a warm yellow, creating that elegant yet slightly mysterious atmosphere.

This is my second time doing a Ling cosplay. With the experience from last time, I had a much clearer approach this time when doing makeup and putting on the wig. Last time, I always felt the wig wasn't smooth enough, but this time I tried trimming and styling the sideburns myself, and repositioned the two horn-like hair accessories on top of my head so they wore much more securely. Regarding costume details, I paid special attention to the direction of the jacket's ribbons this time. During the shoot, to make the blue and orange patterns on the ribbons spread out more gracefully, I put extra thought into action design, coordinating with the prop lantern staff and using lowered center of gravity and arm extension to present that signature standing posture.

I feel that the most obvious improvement this time compared to last time lies in my grasp of expression and body posture. Last time, I might have relied more on posing, but this time I focused more on the focus of my gaze and the linear sense of my torso in space. The outfit itself features dark shorts and garter ring designs; while communicating with the photographer, we tried several angles, utilizing rim lighting from the side and front fill light to display the leg contours and costume texture more clearly. When holding the staff, my shoulders couldn't be too stiff; the muscles needed to feel relaxed yet tense.

The other creators on-site were also extremely professional. When shooting the group portrait, over a dozen people had to line up around a round table while ensuring that the tableware and small props in front of everyone weren't blocked. To achieve the best visual effect, everyone repeatedly adjusted their sitting postures and helped each other tidy up their clothes. During breaks, everyone was so exhausted that they collapsed on the cushions, but the moment the director called action, everyone instantly slipped right back into character. That atmosphere of everyone working hard together for something they love was exceptionally wonderful.

Although the shooting process was exhausting and my body felt like it was falling apart, seeing the images presented on the camera screen gave me a strong sense of accomplishment. My understanding of the character is also deepening bit by bit, from the texture of the costume to the aura in every gesture, slowly finding the most suitable state. I am still slowly precipitating and exploring, hoping to make every creation the best within my current capability, and giving back to this love with a more solid state.

Shooting every photo set solidly and making every preparation thorough is what I want to do most right now. See you at our next photoshoot.