Shooting this time at the Xiamen Endangered Species Nature Museum can be said to be a very special experience.
The character Priestess actually has many details in her clothing and props that are worth pondering. To present her calm, rational, and even somewhat mysterious temperament, I put a lot of effort into the outfit. The long white trench coat is the core; the black lines on the edges add a visual sense of toughness, while the inner wear consists of a black short skirt and black stockings, plus silver strappy high heels. The overall color scheme is maintained between black and white, which matches the character's setting very well. The black clipboard held in the hand and the work ID hanging on the chest are absolutely indispensable props, as they are important symbols of the character's identity.
The choice of shooting location played a decisive role in the final effect. The lighting and sense of space in the museum matched very well. In a pure white gallery with mirror reflections, sitting on a black bench and looking down at documents, the reflection formed a symmetrical aesthetic. In the dark wooden room, leaning over a long table to organize papers with light shining on the body created a mysterious atmosphere of investigation in a laboratory or office. The back view in the dim industrial-style corridor was meant to show the character's firmness in moving forward in an unknown environment. Finally, sitting next to the giant blue butterfly and rose installation, that surreal visual impact made the frame extremely full of tension.
In terms of action design, I tried to avoid overly exaggerated postures, instead conveying the character's introverted personality through subtle actions such as reading with head down, holding a pen in deep thought, and looking back while walking. The focus of the gaze is also very important; most of the time I concentrated my line of sight on the documents in my hands, trying to create a sense of focus immersed in my own world.
I especially want to thank the museum staff. When we went there, we hadn't contacted them in advance for any cooperation, but when they saw us shooting, they were extremely friendly the whole way. Not only did they not stop us, but they also actively provided some help, such as helping to adjust the lighting angle and telling us which angles produce better light and shadow effects. This sudden kindness really warmed my heart.
The overall photo output effect is much better than I expected, because at first I was indeed a bit worried about failing to accurately convey the character's introverted emotions through the lens, but in the end these photos captured the focus and tranquility of that moment very well.