Shooting this set of photos was actually quite unexpected. Originally, we just wanted to scout a location in the park, but at first glance, I saw this massive spherical stone sculpture. The very first thought that popped into my head was—isn't this the 'meteor' Sandrone should have? Although in canonical lore her weapons and combat style lean more toward precision machinery and heavy firepower, since this is a custom design cosplay, I wanted to present it in a softer, fairytale-like way. This dress was specially tailored for this concept, blending mint green and cream white with plenty of lace and bows. It is completely different from my usual tough style, but wearing it felt surprisingly fitting for the lazy yet playful personality in this 'custom design.'
The sunlight on the shooting day was wonderful, hitting the white sphere so that its rough surface grain became a great textured backdrop. I tried pushing it, but of course, the sphere is fixed to the ground and wouldn't budge at all. The photographer asked me to pretend I was exerting force—arms extended, body leaning forward, while keeping my expression natural without looking strained. It took several attempts to catch the most comfortable angle. You know, making movements in a dress with such a large hem really tests your balance, especially with all those ruffles on the cuffs that easily clump together if you raise your arm slightly. So before shooting, I specifically refastened the cuffs and waist bow to ensure that every arm movement wouldn't mess up the layered skirt.
Speaking of the skirt's layering, the fabric chosen this time is a lightweight, breathable cotton blend. The outer mint green section features double folds, while the inner white tulle intersects with brown ribbons, creating a very natural fluffiness when walking. Since the overall color tone is light, I picked a light blonde long curly wig, making me feel like a different person once I put it on. I wore blue-grey contact lenses to balance out the sweetness of the outfit, making my gaze look clearer. In cosplay, whether contact lenses are well-chosen directly impacts the vibe of the final photo; I took a long time to select this pair, which has a subtle color yet distinct recognition.
The location was actually an open public park with many strolling elderly people and playing children nearby. As they passed by, they would take a few extra looks, and several aunties even asked if I was taking wedding photos! I laughed on the spot and explained it was a hobby; they were very friendly and even actively moved aside to give us room to shoot. This real environment actually has more vitality than outdoor photography in a studio setting. The lush green lawn in the background and the distant stone wall happened to echo the brown and green elements in the dress. During post-processing color grading, I deliberately pulled down the highlights slightly so the white sphere wouldn't be overexposed, while maintaining the vibrant green of the grass, balancing the tone of the whole image.
Inspiration for this custom design cosplay was quite simple: I wanted to express Sandrone's gap moe—seeming harmless yet ready to cause major chaos at any moment—in a soft, cute way. Since her lore connects her to various machinery and gravity, pushing a 'meteor' serves as a fun visual gag. Of course, dragging the dress across the lawn for half a day meant quite a bit of effort to wash it afterwards, but the moment I saw the final photos, everything felt completely worth it. The photographer's snapshots were right on point; instead of forcing me into standard model poses, he had me genuinely interact with the sphere as if playing, so I feel the natural state in the photos cannot be faked.
To be honest, every time I do cosplay, I get to rediscover myself—from makeup design and outfit coordination to managing emotions on site, the process itself is deeply enjoyable. This custom design didn't completely copy the original work, but retained some signature elements, such as the mint green and brown color palette, as well as the asymmetrical hemline cut. If you look closely, the bottom layer of lace trimming on the skirt was actually hand-sewn by me because I found the length wasn't enough when I bought it, so I added a section myself, which ironically gave it more of a bespoke feel.
Alright, these are some little behind-the-scenes thoughts behind this photo. I hope everyone can feel the subtle charm of this custom design Sandrone!