This outdoor and studio shoot for Xianzhou March 7th took a lot of time to prepare early on, but the experience was incredibly satisfying. I brought three entirely different prop bags to the HoYo Wonderful House. For the first scene, I chose a wooden tea table and a Go board as the foreground, holding two skewers of tanghulu in hand. Actually, the tanghulu was heavier than expected, especially since I had to hold it for a long time to strike poses while keeping a natural expression. Fortunately, the lighting technician on-site dialed in a very warm tone, adding a touch of everyday life and cozy domestic warmth to the entire frame.
The second background was in a Chinese-style room lined with calligraphy scrolls, which also featured a desk and tea set. The range of motion in this scene was relatively large, and I tried a dynamic pose standing on one leg, letting the skirt hem sway naturally with the movement. Since the top sleeves are quite wide and the actions required a sense of extension and tension, it posed quite a test for a cosplayer's physical coordination. The photographer was excellent at snapshots, freezing the agile essence of the whole body at that exact moment.
For the third scene, we switched to a pink flower tree setup, paired with that black-and-white plush toy. The details of this plush doll are very refined—not only do its eyes look spirited, but it also features a red rope pendant, making it perfectly fit the overall warm atmosphere when held in hand. In this scenario, I was in a more relaxed state, focusing my attention on interacting with the plush doll.
The final two pure gradient studio scenes completely shifted into a sharp, valiant combat style. The unsheathing action, the static pose holding the sword with both hands, and the dynamic snapshot of swinging the blade with one hand. That red longsword carried solid weight and had a very long blade. Under the cool-toned lighting of the studio, the red of the blade and the pink of the hair formed a highly intense visual contrast, a reversal that perfectly matched the character's dual traits of being lively yet having combat attributes.
Regarding the styling this time, securing the wig and hair accessories also took some effort, especially the two high-braided bun rolls paired with golden ornaments, heavily testing the hair stylist's skill. As for the preparation of props, not just the weapon, but also minor items like the go board, tanghulu, and plush toy could not be left behind. Fortunately, HoYo Wonderful House provides a one-stop service from costumes, wigs, and weapons to styling, photography, and post-processing, giving this set of Cosplay client photos extremely high coordination and efficiency, allowing me to focus solely on interpreting the character's state without worrying about the details of cooperation.
Many times when shooting final photos, people might get nervous, especially when transitioning between movements and expressions, which can feel unnatural. However, the team this time was great at guiding me, avoiding forced poses and instead letting me try to show the character's everyday side—such as the little playfulness while eating tanghulu, or the lazy feel when holding the plush doll. When I truly felt the texture of the props and the atmosphere of the scene, that naturally flowing state was exactly what the lens needed.
The look of Xianzhou March 7th actually has many sides worth exploring, featuring both everyday moments full of life and valiant moments drawing a sword to fight. Being able to express both atmospheres beautifully in a single shoot made this sense of contrast the biggest surprise of the shoot. With many props paired together, the frame is never dull, the atmosphere is perfectly dialed in, and the details in the post-processing stand up to scrutiny when magnified. The overall final photo effect has already exceeded my initial expectations. If you pour your heart into the styling and expressiveness, you will naturally capture the desired emotions and tension.