[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 1
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 2
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 3
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 4
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 5
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 6
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 7
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 8
[Kurumi Tokisaki cosplay] Date A Live Dark Gothic Style Convention Photo Sharing - Image 9

The Kurumi Tokisaki photos from this CICF Expo have finally been organized and edited. This gothic dress has an exceptionally strong sense of layering, and the red-and-black color blocking is especially eye-catching under outdoor natural light. Cosplaying this character is quite a test of physical stamina, especially the headwear with its ring of red ruffles and mesh lace cap, which is quite heavy. To secure the soft cap well, I used several bobby pins inside, but it really flatters the face shape very well. There are many strap details on the sleeves and skirt hem, and it took a lot of time before the shoot to adjust the tightness, ensuring the crisscrossing red ribbons presented their most perfect state. The lower half's skirt has multiple layers of lace and wavy patterns; when walking or sitting down, you have to be careful to smooth out the petticoat, otherwise the wrinkles easily bunch together and affect the visual appeal of the frame. To better express the character's traits, I deliberately got long dark-style manicures, featuring alternating black and burgundy colors, accented with silver and white patterns on the nail tips. Although long nails make it a bit inconvenient to pick up things, whether playing with hair or holding props, they look particularly captivating in front of the lens. In terms of makeup, to match the character's heterochromia setting, I specially wore contact lenses of different colors. The eye makeup focused on elongating the outer corners of the eyes, paired with thick false eyelashes, allowing the gaze to maintain a deep, mysterious feel even under the complex lighting of the convention venue. When shooting close-ups, expression management is key; you need to carry that effortless, slightly dangerous vibe. In action design, I communicated with the photographer NightDiva for a long time, not limiting myself to simple standing poses, but trying postures like sitting on a high stool or directly sitting on the ground. Utilizing a wide-angle overhead shot angle can give the frame more tension. This time, playing cards were also used as small props; holding them to cover part of the face or pinching them between fingers can enhance the storytelling feel of the photo. Outdoor shooting is most afraid of messy lighting and backgrounds; this time the photographer's lighting setup was extremely professional, using external flash lights to make the face bright and translucent while darkening the passing crowds in the background, making the overall composition look much cleaner. From costume preparation, makeup trials, to the convention site shoot, the whole process was quite tiring, but seeing the final photos made me feel that all the effort was worth it.