The photography work started with a set of test shots right at the venue of the Changsha ACC Anime Convention. Because natural indoor lighting at conventions is often chaotic, we communicated with photographer WiFi in advance to set our shooting area at a relatively quiet edge of the hall, using a continuous light with a softbox to simulate the natural light coming through a window. The silver-gray long hair styling required tightly securing the side buns in advance; otherwise, the top of the head would easily look flat in the final photos. As for the orange long curly hair wig, because we needed to craft the texture of a single-sided braid and position the white hair ribbon properly, we even brought two packs of positioning clips to manage frizz.
The white high-neck top styling seems minimalist, but its texture and collar stiffness directly impact the character's temperament. To avoid the harshness of overly white fabric on camera, we chose a thicker off-white material during prep, which formed a warm, gentle luster on raw frames under the venue's warm fill lights.
as an important prop, the sunflower's dark stem and dark brown/black center formed a perfect visual anchor in the bottom left corner of the frame. In the first photo, standing behind with my arms wrapped around my partner, the composition deliberately focused on the gentle cheek-holding interaction. The second side-profile touch caught the exact moment our eyes met; we tried this gesture five or six times on set, balancing a soft touch while letting the camera capture authentic intimacy. Photographer WiFi remained crouched low shooting upward, ensuring the characters stayed centered while turning the crowd behind into a beautiful blurred bokeh.
Before preparing for this shoot, I revisited the emotional arc between the two characters in the original story, striving to align makeup details with their shared sense of fate and bond. For the silver-haired character, eyeshadow was kept subtle, paired with blue-gray contact lenses and gentle eyebrow shapes to restore her cool, detached composure. For the orange-haired character, coral blush was used to brighten her complexion, complemented by white-based attire to showcase the warm, bright side of her personality.
The shooting process unfolded alongside occasional noisy voices from the convention floor, but as we truly immersed ourselves in our movements and expressions, the surroundings gradually faded into quietness. White cuffs fluttered to reveal delicate ruffled edges—details that needed clear rendering across focal lengths. We took over two hundred shots in total, selecting these three as our final showcase. From prop placement and smoothing wig strands to controlling micro-expressions through the viewfinder, every step required patient collaboration.
Executing a duo cosplay shoot with a defined relationship setting at a convention is often more challenging than a solo shoot. Both individuals must adjust body angles simultaneously while keeping props correctly positioned in the foreground. The golden-yellow edges of the sunflower petals occasionally shimmered in the light, bringing immense atmospheric depth to the final images. We also met many fellow fans of Reverse: 1999 on-site, exchanging thoughts on character portrayal. Rather than just shooting cosplay, it felt more like using the lens to recreate a long chapter from their story.
For color grading, I leaned toward a warm yellow film-like texture, slightly lowering contrast so the white clothing wouldn't starkly clash with the backdrop, instead merging smoothly into the darker exhibition environment. The candid moments captured in Photos 2 and 3 were immensely satisfying, especially the pearlescent light reflecting off the wigs under side lighting, leaving behind vivid visual details. Looking through these raw files today still recalls the clumsy moment of dirtying my pant cuffs while arranging stems on the ground, and that unspoken tacit understanding the instant I locked eyes with my partner.