Honor of Kings Sun Quan Cosplay—the texture of this look is truly something you can only appreciate by wearing it yourself. Shooting this blue and white traditional style outfit today, the entire preparation process was much more complicated than expected. Let's talk about the costume itself first: the white fur trim around the collar is very thick and heavy, bringing a visual sense of majesty, but it also restricts the movement angle of the neck. The outfit as a whole adopts an asymmetrical design, creating a strong contrast between the light armor on the right shoulder and the flowing wide sleeve on the left arm.
We encountered significant challenges during the shoot. The hem of this outfit is very long and has two layers; it flutters like waves whenever the wind blows. To capture the natural fluidity of the fabric, we spent a great deal of time waiting for the wind or manually creating movement. The posture of drawing the bow and shooting arrows, especially the tense sense of building up power seen in the pictures, heavily tests the control over the bowstring's tension.
As for props, that long-shafted battle flag took a lot of effort. The flag has a massive surface area and high wind resistance; when raising the flag with one hand, you must master the center of gravity, otherwise, it's very easy to lean backward. The nocking of the arrow and the ancient style weapon design were also repeatedly adjusted, ensuring it looks sharp and dangerous without actually causing harm.
The shooting location chosen in this ancient architectural complex is truly fantastic. Red lanterns, gray bricks, and flying eaves—just standing there fills the frame with atmosphere. However, because these buildings mostly have many steps and stone slabs, walking up and down in these thick-soled boots was actually quite inconvenient. Especially for the kneeling pose, I needed to find a balance point for the center of gravity, accompanied by the resistance brought by the waist armor.
The entire process took several hours, shooting from bright sunshine until the light dimmed. In between, we touched up makeup, changed poses, and constantly rearranged the bangs messed up by the wind. Although it was quite exhausting, seeing how harmoniously the blue and white tones cooperate with the gray base color of the ancient architecture makes it feel well worth it. I particularly value the tension shown by the outfit in different poses, as well as the coordination between hand movements, the bowstring, and the flagpole.
Every time I do this kind of warrior-leaning traditional style character, I feel like my body coordination undergoes a rigorous test. Moreover, this time there were no overly complex prop mechanisms; the focus was entirely placed on body language and eye expression. Although this style of clothing uses solid materials, you absolutely cannot count on its breathability in summer. Fortunately, it was cloudy today, so the overall body comfort was acceptable.
From personal experience, trying to shoot this kind of calm yet slightly oppressive effect relies not only on the costume, makeup, and styling but more importantly on mastering the weight distribution of the props and cultivating habits for traditional movements. That moment of looking back around a corner is often the most brilliant part of a snapshot. I habitually internalize this feeling of being adept at archery and horsemanship during shooting intervals. Although I am not a real general, wearing this outfit definitely ignites a sense of immersion in my heart.
The charm of traditional style cosplay photography probably lies exactly in this: it's not just about restoring a visual image, but throwing you into an environment filled with a sense of history and aesthetics to complete a brief role-play. Both today's shooting process and the final product make me quite satisfied. Looking back at these few photos, the blue and white tones stand out exceptionally well against the backdrop of the dark-toned architecture. The fluttering of the hem, which originally felt a bit tedious, turned out to be the most vivid expression in the snapshot. Compared to the movements, the coldness in the eyes might be the emotional undertone of this look; maintaining this state and keeping facial micro-expressions silent is also crucial.
Sorting out this day's shoot, I feel it is not just a cosplay session, but a physical touch of the aesthetics of a specific era. I look forward to having the opportunity in the future to use different props and costumes to experience more diverse traditional style character designs. At the same time, I look forward even more to cooperating again with the photographer on the light and shadow atmosphere in this experience of Cosplay photography, since good camera language can endow a character with completely different vitality.