The hat arrived just in time before shooting, and this set of Wakaba Mutsumi photos is finally completed smoothly.
Cosplaying this Arknights collaboration character, the details on Wakaba Mutsumi's Mujica gothic outfit are truly extensive. The mint-green wig was trimmed with blunt bangs and long sidelocks framing the face. The dress is a black-based corset gown featuring multi-layered ruffled hems and intricate lace, layered over a white underskirt to add depth. To prevent it from looking flat, I tied long bright cyan ribbons at the waist and let long cyan sheer tulle trail behind the skirt, giving the overall silhouette richer visual dimensions.
Because the concept incorporates marionette motifs, I chose sheer black mesh gloves and sheer black thigh-high stockings (Black stockings) paired with a leather leg garter accented with gold hardware, finished with platform black Mary Jane high heels. To enhance color contrast within the frame, props included a bright red apple, a white skull, a black metal birdcage, red roses, and a vintage teacup.
To convey Wakaba Mutsumi's aloof detachment, I deliberately deepened the reddish-brown shading around the eyes and kept the eye contour relatively flat, striving to reflect her emotionally flatlined expression. During the shoot, the photographer guided me to avoid exaggerated gestures and maintain a detached, drifting gaze. I used the imagery of a string puppet to shape my body language—suspending my hands mid-air or tilting my head slightly, so that even when looking toward the lens, my eyes held a distant, unfocused alienation.
The studio set featured a dark wall adorned with classical oil paintings and a vintage brown leather sofa. Sitting on the sofa in this dress made me feel completely immersed in that cool-toned world. One shot was taken facing a mirror, where the reflection introduced a wonderful sense of overlapping spatial layers.
From makeup test to final wrap, this photoshoot underwent continuous micro-adjustments—such as the positioning of the leg garter, the angle of the hat, and the natural drape of the ribbons. I love this process of bringing a 2D character to life piece by piece. Seeing the finished shots made all the anxiety of waiting for the hat and the hard work completely worthwhile.