It just so happens that what I'm sharing today is the rain scene cosplay project for Moriya Suwako from Touhou Project. From costume design to location selection, I discussed extensively with the photography team, ultimately deciding to use the faint glow of the mountain forest after the rain as the main narrative line to deconstruct and materialize the portrayal of native gods and curse gods.
The most eye-catching prop in the photos is definitely that giant white snake featuring a white snake motif. Its scales use a special reflective material that reveals a vivid three-dimensional presence when washed by rain. Supporting this serpentine prop took immense effort—to make it coil around my side, plenty of hidden support skeletons were added inside. Moreover, balancing the bamboo hat and the long lotus leaf during the shoot put my physical strength to a real test. The bamboo hat adorned with signature eye decorations was pieced together by myself using gathered materials. The white veil naturally clung to my shoulders in the rain; originally, I intended to add a tighter loop of fishing line to prevent it from collapsing, but later I realized that once soaked in rain, it gained a heavier drape, exuding a slightly melancholic aura.
The shooting environment was actually set in a small stream. Due to the rain, the water surface looked calm, but underneath were round rocks covered in moss, making every step extremely slick. Everyone was practically on edge during the shoot, terrified that a single slip might ruin this outfit that took half a month for a tailor to recreate. Fortunately, heaven cooperated—the rain stayed a gentle drizzle, never becoming heavy enough to wash away the makeup.
Regarding attire, the top and skirt were chosen in low-saturation blue-purple shades to fit a rustic, folkloric feel. The subtle floral patterns and symmetrical decorative bands on the skirt were hand-stitched needle by needle. The dangling red cords not only visually balance the large expanse of purple, but also elevate the overall look beyond ordinary traditional outfits, imbuing it with the solemn weight of divine ritual.
Since the character is Kero-chan, I refrained from making overly exaggerated expressions this time. Facing the white snake (even as one of the Touhou Project items) and the moist earthy scent after the rain, portraying a calm, indifferent yet guardian-like detachment felt much more convincing. For makeup, a translucent base paired with subtle orange eyeshadow gave the face plenty of vitality even under dim overcast lighting, with my gaze floating emptily toward the unknown rain curtain.
As for shooting challenges, besides slip prevention, ensuring the visibility of rain streaks in the frame was key. On the photography side, we intentionally chose a slow shutter speed to capture the falling rain trajectories. Water gathering on the lotus leaf formed a hanging droplet, which took several candid attempts to capture in a perfect freeze-frame. The white snake's red eyes served as the finishing touch, reflecting a faint glow on location. While such fantasy elements might look exaggerated in everyday settings, in this dark stream environment, they perfectly counterbalanced the softness of the large white veil and lotus leaf, adding a sharp, imposing atmosphere.
Executing a long-term project with such rich lore is not just about visual recreation; I wanted to tell a short story through photography language. Native gods and curse gods inherently possess a contradictory blend of absurdity and sacredness in their lore. This time, we specifically chose a crisp moment after a summer thunderstorm—deep bamboo groves, trickling streams—all elements working together to satisfy part of my deep obsession with this character.
Since the clothing shoulders used thin fabric, to prevent exposure when soaked, I added a lining of waterproof raincoat material underneath. Although this ruined breathability and made it uncomfortable in the humid heat, the moment the final photos came out made everything feel completely worth it. Furthermore, the white snake's tail had an ingenious joint so as not to hinder standing postures, ensuring it clung to my feet like a gliding sacred serpent in full-body shots. Though the whole process involved managing waterproofing while holding props, the rhythm worked out with the photography team was very synchronized.
This piece avoided overly complex studio sets, opting instead for a real, moist, wild natural environment. I hope everyone can feel Moriya Suwako cosplay's low-key yet ever-present divine majesty through these cool color tones. This concludes today's southern rainforest theme sharing—I'm thrilled to present this meticulously prepared outdoor photoshoot to you all.