The planning for this photoshoot took a long time, driven primarily by the desire to faithfully recreate Yat Sen's classic white qipao look from Azur Lane. From the moment the outfit arrived, I deliberated on how to best convey that gentle, demure yet subtly alluring atmosphere before the camera.
To detail the costume's nuances: the core is a modified qipao crafted from white lace fabric, featuring a teardrop cutout over the chest and exquisite frog button fastenings along the collar. To match the overall temperament, I wore a straight black wig with blunt bangs, accented at the side by floral hair accessories featuring blue beaded strings and red tassels. For props, I prepared a deep-blue oiled paper umbrella and a blue sphere prop to enrich the frame's compositional depth. The makeup avoided overly heavy colors, focusing instead on defining eye contours and maintaining a translucent, radiant base, with a natural rose-nude lip color to keep it from looking overly modern and breaking the classical poise.
The shooting location was a Traditional Chinese garden. The afternoon sunlight slanted through corridors and treetops, casting dappled light and shadow. To accentuate body proportions, the lower half was paired with sheer black stockings and white pointed high heels, with the high side slits of the skirt perfectly highlighting leg lines. The shoot was actually quite a test of physical endurance. To find the right angles, I tried sitting on stone balustrades, holding the paper umbrella in one hand while cradling the blue orb prop in the other, keeping my posture upright with core engaged as I looked toward the lens. Because the outdoor ground was uneven, standing on stone bridges in stiletto heels required continuous core stability to maintain balance, all while preventing gusts from disheveling the dress hem.
The oiled paper umbrella served as an exceptional prop within the garden; beyond enhancing the classical aura, it helped diffuse harsh sunlight to cast soft shadows, ensuring even facial lighting. When seated beneath the cherry trees, I rested the umbrella against my shoulder with legs naturally crossed, letting the black hosiery form a stark visual contrast against the white dress hem. Given the high slits of the qipao, I gently pressed the back hem down with my hand or utilized railings and stone steps as organic cover when shifting seated postures, ensuring the lines remained graceful without risking wardrobe malfunctions. For the shots on the bench, I turned slightly sideways, allowing the lens to capture the elongated extension of the legs.
The entire shoot required constant postural micro-adjustments along with fending off mosquitoes in dense foliage, but seeing the frames appear on the camera screen made every effort worthwhile. The tailoring of this qipao and its delicate embroidery details were rendered flawlessly under the lens, and I hope this series imbued with Chinese-style aesthetics brings everyone a refreshing visual experience.