This series of Chainsaw Man Makima convention photos was shot live on the event floor, where the ambient lighting was quite challenging. While the overhead light banks were very bright, their directions were scattered and chaotic, making it easy for awkward shadows to fall across the face and clothing. To accentuate the distinctive features of this outfit, we spent considerable time scouting angles.
First, regarding the ensemble: the black oversized hoodie features a striking cross graphic printed on the back. To balance the volume up top, I styled black shorts with over-the-knee stockings. The stockings have a blue vertical stripe along the side and dark color-blocking at the upper hem, which visually flatters and elongates the leg line. On my feet were chunky black platform heels with an extreme platform lift. While these shoes are unbeatable for lengthening proportions, navigating the convention floor in them was a real workout—my ankles had to stay tensed the entire time. The silver metallic chain in hand served as one of the visual anchors in the frame; to let it drape naturally, wrist angles had to be adjusted repeatedly so it wouldn't look stiff or swing erratically.
For makeup, because the red hair is intensely saturated, the eye makeup was drawn sharp and defined, with reinforced eyeliner and facial contouring. Convention lighting easily flattens facial features, making careful shading and highlighters essential to sculpt depth. Styling the wig was equally vital: the curve of the bangs had to frame the face just right, with slight curls at the tips so that turning for a glance back would let the hair float naturally rather than sticking flat against the neck and shoulders.
During the shoot, the photographer chose a low-angle upward perspective. This angle is exceptionally effective for accentuating long legs and towering heels while dodging the cluttered crowd behind. I experimented with a backwards glance over the shoulder, leaning the upper body slightly forward with the right arm hanging naturally behind. The hardest part was controlling the center of gravity—maintaining balance while letting the hem of the hoodie fan out gracefully in the air. To freeze the exact moment of the coat billowing and the hair swinging, we took countless burst shots, fine-tuning hand placements and the angle of my head turn.
The greatest hurdle when shooting at a convention is always the surroundings. People stream past constantly, and background booths or passersby can easily ruin the immersion. Unlike a studio shoot, there are no clean backdrops or controllable strobes; everything relies on the photographer's split-second instinct for lighting and composition. The reflective floor added neat specular highlights, but also risked mirroring stray clutter below. The entire session demanded intense focus—from expression control to body language, there was no room to slack off.
I am genuinely pleased with the texture and mood of the final convention photos. The black outfit pops with strong contrast against the bright exhibition hall background, and the silver chain and cross motif reflect the light beautifully. The final edits avoided heavy manipulation, preserving the authentic lighting of the venue. For upcoming shoots of this style, I plan to experiment with different lighting setups or incorporate props with varied textures to enrich the visual depth even further.