On the night of the Mid-Autumn Festival, I went out with the A7M4 and 24-70GMII lens to shoot the lantern festival. This set of photos pretty much maxed out night portrait photography. The lighting sources at the lantern festival scene were extremely complex, with giant lanterns providing high-saturation background lights in blue, yellow, orange, and other colors. To capture clear and atmospheric portraits in this kind of environment, I chose the A7M4 paired with the 24-70GMII this time. The fast autofocus capability of this lens at night pleasantly surprised me. The F2.8 aperture, combined with the high ISO performance of the A7M4, ensured accurate facial exposure for the subject while nicely retaining the color layers of the lantern background, and Sony's straight-out skin tone reproduction under warm lighting was also very natural.
The outfit for this shoot was a light cyan-blue Neo-Chinese style set. The stand-up collar with Chinese frog buttons and black piping design, along with exquisite lace embellishments on the cuffs, gave the overall style a lean towards 2D traditional Chinese style. The hair was braided into double pigtails, paired with blue hair accessories and sheer gauze, and a pink sachet hung from the waist. To add dynamism to the frame, I prepared a long pink ribbon as a prop. When waving the ribbon in front of the lanterns, the 24mm wide-angle end could well capture the environment, while the 70mm telephoto end compressed the space, shooting half-body close-ups with a softer background blur.
The biggest challenges in night photography lie in light control and white balance. The color temperatures of the lantern festival lights varied wildly, and the main light sources often fought with the background lights. When shooting full-body compositions, I tried different standing positions, utilizing distant lanterns as the main light source to keep the face from getting too dark. Waving the ribbon required a faster shutter speed, making the large aperture and body image stabilization crucial. Several back-glancing and stretching actions in the photos were captured during candid shooting, and the red of the ribbon stood out very vividly against the blue-orange background.
The foot traffic at the site was actually quite heavy. To find angles that avoided the crowd, I mainly adopted low-angle shots and compositions using lanterns close by as foregrounds. Sometimes, to let the ribbon hang down naturally, I had to repeatedly adjust arm strength and posture, then use burst shutter shooting to capture the most comfortable frame. The material of the clothing reflected slightly under the flash, so I tried my best to use the natural light sources on-site, utilizing the brightness of the lanterns themselves to shape facial contours. Since the background was relatively bright and color-rich, I slightly darkened the surrounding environment in post-processing to make the main subject pop more. This Neo-Chinese style outfit, combined with the double pigtails design, fit the traditional Chinese style atmosphere of the Mid-Autumn Festival very well. Small props like the ribbon and sachet scored big points in front of the lens, making the photos look less monotonous.
Strolling through the lantern festival on the Mid-Autumn Festival and incidentally completing a set of on-location 2D portrait shooting felt like experiencing the traditional festival atmosphere in reality. Instead of going to a studio, I directly used the lanterns as a background, which featured not only giant mythical beast and auspicious cloud shapes but also various lantern elements, providing a strong sense of festival immersion. This set of photos retained the real light and shadows of the night view, and with just a slight adjustment to the base color tones, it felt amazing. The night air during Mid-Autumn already carried a hint of coolness, but the bustling scene and the shooting process were still very enjoyable. I selected a few favorite finished photos to post, recording this year's Mid-Autumn night.