The overall effect of this Arknights Angelina outdoor shoot turned out truly fantastic and photo-ready. The sunlight on the day was exceptionally wonderful; just like what was said in the post, besides the weather, what was brighter than the sunlight was the mood during the shoot. A lot of preparation was done beforehand for this outdoor shoot. First, in terms of clothing, Angelina's red-white-and-black color-blocked idol/performer outfit has an abundance of details, especially the leather waist cincher and those metal buckles. To present the crispest texture on site, I spent quite a bit of time adjusting the strap positions while wearing it. The black over-the-knee stockings paired with the leather leg garter needed to both maintain smooth lines during movement and prevent slipping down, so anti-slip tape and leg fixation were done with a double insurance. For the wig part, this brown long curly wig has an astonishing volume; the twin-tail styling easily gets messy with the slightest breeze on site, so I carried a curling iron with me to touch up the hair strands' curves at any time. The fluffy animal ears on top of the head were also sprayed with hairspray before leaving to set their shape, making them look more three-dimensional. The shooting location was chosen in a place with withered reed marshes and European-style architecture. When shooting in the reed marshes in the morning, the reeds under backlighting had a particularly atmospheric feel. That large weapon prop was truly a test; it looked cool, but the weight was indeed not light. To make movements not look strained, I needed to engage my core when my arms exerted force, while trying to keep my facial expression relaxed, showcasing Angelina's composure carrying a hint of playfulness. The pose for holding the gun was adjusted several times, especially when holding the gun with one hand while the other hand had to coordinate by making a sun-shielding or playful gesture, requiring good control over body center-of-gravity balance. In the afternoon, we transitioned to the stairs and balcony of the European-style architecture, where the scene leaned more towards an everyday feel. When leaning against the stone railing, I needed to express a relaxed state; the photographer's bottom-up perspective angle was superb, capturing the layers of the skirt and leg lines while making the character look slender and tall. When shooting in the dry grassland, the light contrast was huge under direct sunlight; the photographer cleverly found the edges of some tall grass patches, utilizing the diffuse reflection of natural light to fill in light for the face, so that strange shadows wouldn't appear on the facial features, while the texture of the hair could also be nicely showcased. In the building stairs area in the afternoon, because of the large area of light-colored stone materials, it acted equivalently to a giant reflector bringing itself along, making the lighting softer and clearer, and the captured skin tone also appeared more natural. To make the catchlights in the eyes brighter, I also highlighted a bit of pearlescent shimmer on the edges of the eye makeup, which, paired with reddish-brown contact lenses, fit the character's temperament even better. When walking and shooting, the laced Martin boots on my feet easily caught firmly on the grass, sometimes requiring repeated adjustments to positioning because the skirt hem had pleats and red edges, and every time I turned around, I had to pay attention to the swinging arc of the skirt hem. For the character Angelina, I feel that not only does she need to have a cute expression, but she also needs to showcase her capable and professional demeanor during combat. Even though the weapon is heavy, one must express the feeling of it being integrated with the body during movements without appearing too clumsy, so before the shoot, I practiced the coherent actions of holding the gun and turning around in front of the mirror several times, making every frozen moment look powerful enough. Although the whole process was a bit tiring, seeing the final photos made all the hard work vanish into thin air.