Bringing the 'Daji - Harmony of All Beings' skin from original Honor of Kings artwork into concrete cosplay reality involved far more meticulous details than imagined. The main tone for this shoot was set on 'ethereal elegance' and 'celestial tranquility,' so right from initial communications with the photographer, we emphasized merging the macro environment with the character's presence.
Starting with costume structure: the outfit uses abundant cyan-blue, aqua-green, and white sheer fabrics with rich layering. The top features a cropped midriff-baring tube top draped with a layer of translucent mesh, preserving the original art's cool elegance while adding subtle sheer visual depth. The skirt hem is asymmetrical; overlapping tulle materials create beautiful draping and folds whether walking or lying down. Body paint featuring cyan-blue flowing cloud totems on the thighs was a major highlight—these patterns needed to look delicate while following muscle contours so that movements maintain strong visual extension in this Xianxia traditional Chinese style cosplay setup.
For the headpiece, I added special structural reinforcements. The towering black hair bun serves as the primary visual anchor, but the most striking parts are the pointed horn-shaped ornaments featuring metallic textures and cyan-blue ribbon accents. Extending upward on both sides, paired with cascading black hair strands and colorful ribbons tied to the hair bun, they form a sprawling silhouette whether viewed from the front or looking back over the shoulder. The floral motif paint on the forehead enhances character recognition, while elongated eyeliner deepens the gaze.
For scene decoration, the first photo set intentionally utilized a traditional Chinese-style room with wooden flooring as the main venue. The massive full moon behind me served as the emotional anchor of the entire image, where warm yellow moonlight striking cold-toned garments created a vibrant temperature contrast. The red oil-paper umbrella in the foreground corner acted as an atmospheric prop; though only partially visible in composition, that vivid touch of red balanced the cool blue-and-white primary colors, infusing human warmth into the scene. The aged texture of the wooden floor and soft light passing through paper lanterns added rich detail to this Chinese-style photography setup.
Regarding posing direction, because the costume features numerous wide ribbons and flowing sleeves, we kept a high-powered fan assisting at our side throughout. The backward glance shot was captured precisely during a strong gust. Rotating my entire body, all translucent fabrics and ribbons flew backward in an instant, creating powerful dynamic momentum that formed a striking contrast between motion and stillness against the steadfast moon in the background.
For the third set, I switched to a minimalist studio setting. A solid cyan-blue backdrop free of clutter allowed viewers' focus to land entirely on the costume's intricate details and body language. Seated on a white pedestal with arms stretched naturally outward, this open pose perfectly showcased the airy lightness of the flared sleeves, complemented by side hard light to render contours three-dimensional.
As for makeup, I avoided heavy color blocks this time, using a clean complexion base while emphasizing eyeliner direction and a dreamy, hazy gaze. The wig was bound securely because the metallic headpiece structure required firm support to avoid collapsing or tilting during movement. Adjusting the headpiece's center of gravity alone took considerable time—wearing such heavy headgear while executing large movements like lying down or spinning demanded high stability. Overall, materializing Daji - Harmony of All Beings from a game skin into real life was a fresh, challenging experience in Daji cosplay, continually pondering how to express ethereal dynamic grace within static photography frames.