Today, let's talk about the behind-the-scenes of shooting Phoebe Cinchimani's look from I Became a God in a Horror Game. This shoot differed greatly from my usual style; the overarching tone leaned toward dark nun style mystery, and paired with the lens work of our female photographer in Huizhou cosplay, I was thoroughly satisfied with the final result.
First, regarding the outfit: upon receiving it, I realized the details were far richer than anticipated. The black long-sleeved outerwear is spliced with white lace cuffs, while the cross on the chest and lace trimmings are remarkably delicate, accented by solid metallic buttons. To fit the character design, I put on long, curly blonde hair, smoothed down carefully to eliminate frizz. The white lace veil on my head served as the soul of the ensemble; the moment it went on, an aura straddling sanctity and eerie unease immediately emerged. The white feathered wing prop on my back was quite heavy, but for the sake of the frame, I strove to maintain an upright, poised stance throughout the shoot.
The makeup for this shoot centered heavily on the eyes. Individual lash clusters were applied to the lower lash line, which, together with light green colored contacts, produced a delicate doll-like aesthetic in close-up shots. In terms of posing, for the first picture, I chose to cover half of my face with one hand, letting only one eye gaze directly into the lens. This pose actually demanded precise expression control: fingers curved naturally without obscuring too much makeup, while conveying a mysterious, melancholic emotion through the gaps between fingers. In the second, wider shot, I placed one hand across my chest and extended the other forward, adopting a gesture reminiscent of prayer or guidance alongside the wings behind me. Acting without physical scene props required relying entirely on imagination to match that oppressive atmosphere characteristic of horror games.
Light and shadow formed the core of these photos. We utilized an intense red ambient light as a side-rim kicker, while illuminating the face from the front with cool white light. The sharp contrast between red and black, combined with the white wings behind, forged a striking visual impact on camera. To harmonize with the red light, I constantly adjusted my facial angle during the shoot, ensuring suitable catchlights appeared in the eyes while letting the rim light precisely trace the edges of my hair and veil. The photographer was exceptionally adept at guiding emotional delivery, timing every shutter click with precision so each shot possessed theatrical tension without feeling forced.
The venue setup was relatively simple, relying primarily on lighting to craft the ambiance. This approach tests a cosplayer's sensitivity to ambient light. Because the red light was strong, incorrect angles could easily leave the face looking flat or muddy. I spent considerable time testing lights across frontal, profile, and downward-tilted angles before finding the most fitting expression. The entire process was quite physically demanding, particularly having to constantly hold my posture to keep the wings upright.
This look allowed me to delve into a dark nun style I had rarely touched before, with great synergy between makeup, costume, and photography. Bringing out the character's inherent contradiction and mystery against the horror game backdrop was a truly delightful creative journey.