This photoshoot for Jeanne d'Arc (Alter)'s final ascension look took place in an abandoned industrial area. The weather on that day was fantastic; the shifting clouds and overcast light matched Jeanne d'Arc (Alter)'s slightly heavy yet arrogant temperament. Putting on this black leather combat suit, wearing the silver wig and the pair of black horn accessories on the forehead, instantly brought a strong sense of oppression. To recreate the visual effect of the final ascension, I carefully adjusted the armor and straps to ensure the best possible presentation in front of the camera. This dark gothic-style costume has an abundance of details: from the black fur collar around the shoulders and neck, to the jagged red fabric along the edges of the chest, and the thickened vambraces on the arms, every single part required meticulous wearing to achieve an effect closest to the original work in front of the lens. Trimming and styling the wig also took a long time, especially the iconic ahoge on top of the head; keeping a certain curve required hairspray and fine wire fixation.
The black-and-white flag in my hand was exceptionally large, and waving it required immense arm strength. Coupled with the equally heavy cross greatsword, the overall weight was genuinely substantial. To capture satisfactory frames, I repeatedly adjusted my standing postures on-site, trying to shoulder the sword, hold it with both hands, or thrust it into the ground, striving to make every movement showcase the character's sharpness. What I found most challenging were those rough, rusted iron chains; they felt heavy in the hands, but paired with this outfit, they truly maxed out the dark atmosphere of the frame. Hanging the chains on the ground or wrapping them around my hands instantly brought out that contrasting feel of being restrained yet full of power. Although the props were heavy, to keep my movements natural, I had to stay as relaxed as possible in front of the camera. Resting the long sword over my shoulder or lifting one leg sideways, every frozen frame required core strength to maintain bodily balance.
The industrial ruins backdrop provided superb contrast: yellowing pipes and mottled concrete walls, combined with cool-toned post-processing, filled the overall composition with a cinematic feel. Photographer @Carbon is exceptionally skilled at candid capture, perfectly recording Jeanne d'Arc (Alter)'s unique aura through low-angle upward shots or half-body close-ups. Doing a cosplay isn't just about putting on clothes; it's about capturing the state belonging to the character. To fit the setting, I also put thought into the contact lenses and makeup: golden eyes paired with red lips, plus slightly messy short hair, trying to recreate the character's cold expression. On-site, I also discussed the application of light and shadow extensively with the photographer, utilizing side lighting to outline facial contours and enhance the image's dimensionality. We tried different scene compositions, sometimes using foreground iron chains or flags for blockage to build a stronger sense of depth.
Although the entire shooting process was exhausting—running up and down the ruins in heavy clothes, holding positions for extended periods for a single motion, and balancing in high heels on rough cement ground—seeing the final output made all the effort completely worthwhile. The skirt hem of this final ascension look features a gradient, transitioning from black to vibrant magenta, with torn, shattered edges that look exceptionally dynamic and tense when walking. Behind every photo lies a deep study of the character's settings, hoping to convey the unique charm belonging to Jeanne d'Arc (Alter) through these static images. During breaks in shooting, we would also review our previous movements to find the exact moments that best showcased the character's temperament. Even though the shooting environment wasn't cozy and the weather was somewhat overcast and chilly, the passion for the character kept the entire team motivated. Successfully wrapping up this photo set wouldn't have been possible without the photographer's patient guidance and mastery of light and shadow. I look forward to trying out more diverse scene styles next time and continuing to explore further on the path of cosplay.