[Sunna cosplay] Zenless Zone Zero Delusional Angels Assembly

The HD photo set of the Zenless Zone Zero Delusional Angels trio is finally here. With the three of us gathered together, the entire studio was filled with lovely pink tones. The character styling details this time are extremely abundant, and to achieve a flawless recreation, we began preparations long in advance. For my role as Sunna, the pink twin-tail wig was specially trimmed and styled, and the black mechanical headphone headband was also reinforced to prevent it from slipping during the shoot. The costume fabric was chosen with a subtle glossy sheen, making it look exceptionally textured under camera flashes. The most eye-catching feature is the cyan-green single-eyed prop on the skirt hem, made from lightweight PVC board, ensuring it is both accurate to the design and not overly heavy.
Collaborating with Nangong and Aria this time, everyone's makeup, styling, and coordination were maxed out. Our three outfits complemented each other wonderfully, with black-and-white color-blocked ties, pink striped arm sleeves, and black furry cuffs combining to create a rich sense of layering. To showcase better body lines, we also put effort into leg details. I wore White stockings and knee pads with tactical straps, while the dark-haired character's outfit was paired with Stockings and red leg rings; standing against the pink background, this contrast effect was exceptionally eye-catching. Before shooting, everyone would check each other for any runs in the Stockings and ensure the strap positions didn't pinch any excess skin, guaranteeing the most flawless state.
As for the scenes, we prepared two sets of schemes. One was set in an area piled with retro electronic products, where old-school mechanical keyboards, CRT monitors, and various game cartridges built a strong retro-tech aesthetic; sitting and posing among these electronic devices maxed out the gap-moe contrast. The other set was a pure pink-gradient studio shoot, a backdrop that severely tests lighting control. We used several softboxes to illuminate the faces, ensuring translucent skin tones, while adding a background light to give the pink tones depth and dimension, preventing the subjects from blending into the background.
In pose design, the biggest taboo when three people share a frame is standing rigidly in a row. We adopted staggered, well-proportioned positioning, such as having one person half-squatting or turning sideways in front, while the other two interacted in the rear. To make legs appear longer, we experimented with crossed standing poses or utilized high heels and platform shoes to elongate lower leg proportions. Interactions like high-fives, finger-hearts, or huddling together for selfies seen in the photos were all improvised on the spot, capturing the most natural and relaxed expressions. During the shoot, the most exhausting part was constantly adjusting the smoothness of wigs and costumes. Because we were all wearing quite complex garments, even the slightest movement could misalign skirt pleats or bow positions. Thus, after every few poses, everyone would pause to help each other tidy up. However, seeing the final finished photos made all the hard work worthwhile. The pink-toned color grading this time is also a style I adore, preserving skin texture while making the entire frame look more dreamy and 2D anime-esque.