This photo set was completely put together at home without going to a professional studio. I simply hung a red velvet backdrop on the wall, set up the lighting, and started shooting. Even though it was done casually just for fun, my photographer @FriedInstantNoodles and I actually obsessed over many subtle details right when clicking the shutter to capture that agile, slightly uncanny gaze. Retouching the finished photos was a real treat, and adding all the effects was super satisfying.
Let's talk about the costume concept first. The overall color palette and silhouette are very memorable. The upper modified red kimono features a deep V-neck cut, outlined with gold trimming, presenting both festive splendor and the sophistication of Japanese fantasy aesthetics. A small brass-colored bell hangs from the black choker; such an accessory adds tremendous flair during dynamic and static poses, creating a playful visual rhythm. The obi is the centerpiece of the whole outfit. The wide black obi not only features geometric tailored patterns, but is also spliced with subtle blue and red accents. In the center, a golden cord knot paired with white pompoms is exceptionally eye-catching. I also really love the Red and white fox mask with its black and gold patterns—its three-dimensional texture works wonders for in-scene interactions. To highlight the character's agile nature, the red ribbon strapping around the thigh also serves as a visual focal point, nicely elongating the lines of the lower body.
The shooting space was quite cramped since the room wasn't very large. We primarily relied on a single strobe and multi-angle reflectors to control the red backdrop, preventing the red hue from bleeding into and overwhelming the subject's outline. What I particularly wanted to emphasize in the visuals was the swimming goldfish and Water splash effects. These elements were all composited in post-production. To make them look truly integrated into the scene, matching the lighting with the refractive brilliance of water droplets and the translucent texture of fish tails took considerable effort. Fortunately, I avoided overly complicated poses during the initial shoot, focusing mainly on body postures that matched the flow of water splashes, creating the illusion that she is swimming amidst rippling waves.
Regarding the character's spiritual core, I've always felt that she embodies an innate sense of chaos and joy. That half-truthful provocation or cunning playfulness requires precise control of eye expressions, especially during close-up shots. It cannot be purely sweet; there must be an elusive, sharp lucidity within the smile. This nuanced emotion is vital under the framework of "Elation." Although I didn't make exaggerated expressions while posing—mostly just tilting my chin up slightly or tilting my head—paired with the floating water droplets and swimming fish in post-production effects, the atmosphere came through effortlessly.
The experience of shooting at home this time was actually quite practical. For friends who want to try DIY studio shoots, a heavy, non-reflective velvet backdrop, an outdoor strobe capable of wireless triggering, and a basic tripod are enough to produce very clean lighting. In terms of post-color grading, to match the red-and-black dominant visual palette, I shifted the color temperature slightly toward warmer tones and modestly increased clarity, making the 3D depth of the goldfish and water droplets pop. When picking the cover photo, I hesitated for a bit, but ultimately chose the full-body shot showcasing the leg strapping and standing posture. Whether in terms of compositional balance or atmospheric immersion, its poise was the most aligned with the theme I wanted to convey.