This Yuezheng Ling look took about a week from initial preparation to the actual shoot. Outfit-wise, the sleeveless red-and-white top preserved the stand-up collar and traditional frog closure design, paired with white detached sleeves. To match the guitarist concept, I chose black fingerless gloves, which added layered depth to the styling without hindering fretboard fingering. For the wig, I trimmed and styled it beforehand to capture her signature hairstyle: long dark brown straight hair with straight bangs, an upward-curving ahoge cowlick carefully set with hairspray, a slender side braid on the left bound with red cords, and a red headband on top. Makeup focused heavily on the eyes, using magenta contacts and reddish-pink eyeshadow to mirror the original character's visual design, while the foundation was kept slightly paler and cleaner than usual. Prop preparation revolved around the red-and-white Electric guitar; the glossy finish of the body reflected light prominently, requiring careful attention to light refraction angles. The wide black guitar strap was adjusted to the proper length so it hung comfortably across my shoulder. Ancillary props like over-ear headphones and a microphone stand further elevated the live stage atmosphere.
During the shoot, the studio was draped in pink-purple curtains, and softbox lighting ensured a cohesive color palette. To deliver a more convincing performance, I continually refined my playing posture—pressing firmly against the neck with my left hand while resting my right hand gently near the strings and pick, keeping my facial expression composed and focused. In the second shot, we introduced a standing microphone to explore interactive angles reminiscent of a live concert; standing tall brought fresh posture adjustments to holding the instrument. The guitar was noticeably heavier than expected, requiring frequent rests to relieve shoulder strain, and the gloves were somewhat slick on the strings, though these were easy to overcome. Chinese VOCALOID characters often demand intense stage presence, and Yuezheng Ling has strong musical roots, meaning the goal wasn't merely striking attractive poses, but finding that authentic physical presence of standing under stage spotlights holding a guitar. Throughout the session, I communicated constantly with the photographer regarding angles and depth of field to blend her cool aura with stage tension. I am very satisfied with the detailed presentation—the metallic finish of the instrument, the red-and-white fabric textures, and the cast lighting came out crisp. Staging a band setting in a studio tests spatial movement and prop coordination; even with a solo model, the microphone, background cymbals, and a bass guitar in the foreground evoke the collective energy of a full live band.