This studio shoot was finally arranged. This floral dress of Love Live!'s Minami Kotori made my heart flutter at first glance. To perfectly present the dreamy feel of the original design, the preliminary preparation work took a lot of thought, especially the detail processing on the costume.
What attracted me most about this outfit is the 3D floral design on the chest and waist. Light yellow, pale orange, and tender green fabrics were cut into petal shapes and fixed layer upon layer on the clothing. From a distance, it's a gentle color transition, and up close, the three-dimensional feel is extremely strong. To prevent the flowers from collapsing during the shoot, I padded some invisible stiffening mesh inside, so no matter how I posed, it could maintain crispness. The skirt hem uses a fabric with a pearlescent laser feel; normally it looks like a warm light yellow, but under specific lighting angles, it refracts green-and-blue-tinted metallic gloss, which is very special. The bright green decorative band around the neckline also tests the overall color coordination; I deliberately chose a petal-shaped pendant with a sense of transparency for the necklace pairing, hoping it would fit better with the overall style.
In terms of makeup, due to the character's setting, I focused on deepening the layers of the eye makeup. Using reddish-brown eyeshadow for large-area blending, paired with distinct individual false eyelashes and large-diameter reddish-brown circle lenses, it creates a visual effect that leans towards a doll-like, innocent, yet nimble vibe. The blush under the eyes is applied relatively heavily; for color to show before the lens, it might look a bit like being drunk in reality, but under the strong light in the studio, it was just right. The hair was specially styled into braided updos on both sides, coupled with pearl chains and transparent bow hair accessories, and the overall sweetness skyrocketed.
The studio's set design this time also perfectly matched the theme, with a large area of pink walls paired with orange translucent gauze drapery, and sunlight or lighting cast upon it creates a very translucent breathing feel. The white Roman columns not only increased the frame's layering but could also serve as a support point during shooting. What I like most are those silver circular sequin strings suspended in the air, which not only reflect light in the frame to add highlights but can also serve as interactive props. In the first photo, my action of reaching out to lift the sequins was a small impromptu interaction on-site, and I didn't expect the snapshot effect to be so good.
During the shooting process, the photographer gave a lot of emotional guidance. For instance, the bouquet-holding photo needed to express a quiet, introverted gentleness; while standing and making a V-sign required a bit of playfulness and coolness. The action of lifting the skirt is actually the best way to showcase the design sense of this skirt, gently lifting it along the draping feel of the fabric, paired with the flower clusters nearby, creating an immersive feeling of being surrounded by flowers. I'm very happy to complete this set of works, and also very grateful for the cooperation and dedication of the photographer and studio staff. Everyone worked hard.