Focus on the present moment, try to lower the center of gravity. The \"disorder\" of Sibocheng might just be a fantasy setting in a post, but wearing this Anby cosplay gear, I only want to perfectly deliver this character's sense of combat.
The convention site on the day of shooting was actually extremely crowded, with far more passing crowds behind me than expected. To dodge those crossing people and intruding lenses in the background, the photographer and I crouched in front of this ruin-style venue for a long time. That deep squat blade-drawing pose required continuous power from my knees and core to maintain visual tension, leaving my thigh muscles protesting after finishing those shots. The surrounding floating black mecha were all composited in post-production, paired with the white lightning special effects on the actual sword held during shooting and a few floating embers, pulling the sci-fi atmosphere in the frame to its max.
This outfit carries a strong functional Techwear combat style, with its black-white-green color blocking matching the character's disposition perfectly. To align with the low-center-of-gravity crouching stance, the silver-white short hair blew slightly messy in the wind, adding a layer of authentic dynamic energy instead. The cute green Bangboo beside me served as a visual accent, keeping the frame from feeling like purely cold mechanical fighting by adding a touch of playfulness.
There were actually many convention-goers passing by, some stopping to watch our progress. In a convention environment like this, getting great shots requires being thick-skinned and treating surrounding noise as white noise. Huge praise for the photographer's technique—the low-angle composition placed me at the absolute visual center, amplifying the mecha's sense of pressure through perspective. Furthermore, post-processing was very refined, dimming what was originally a bright sunny day into a gloomy ruin color tone, perfectly fitting the heavy theme of saving the timeline in Zenless Zone Zero.
When it came to action design, the crouching blade-draw pose was adjusted repeatedly. Besides managing body balance, I had to ensure the flashing effect sword drew a beautiful line in the foreground. The prop sword was quite heavy, and maintaining a specific arc while holding it for long periods was a real test of wrist strength. Moreover, the front design of the shoes was in direct contact with the venue ground, and the rough concrete at the convention site stung after crouching for a while. But seeing the final rendered image made every effort feel totally worth it.
Lighting on-site could easily render images flat, but the photographer skillfully used equipment to preserve green and blue light effects just right. This combination of cyberpunk-style combat effects with real-world backgrounds creates a wonderful dimension-breaking visual experience. Posing in front of the lens sometimes genuinely creates an immersive illusion that I'm protecting something.
When exhibiting that day, many recognized this Cosplay outfit. Although crowd flow was huge and people constantly tried to squeeze in for photos, under the photographer's guidance, we successfully shot combat scenes almost completely free of bystanders. This precise positioning control and shooting efficiency tested our mutual unspoken teamwork.
Freezing this combat-filled moment into place relied on whole-team collaboration. From outfit prep and hair styling to action adjustments during this Convention outdoor photoshoot, every step was packed with love for the character and work. This pure creative process is far more meaningful than simply collecting likes. Back in reality, the photo set sent by the photographer hit my expectations for this character, leaving a precious memory to cherish.