What is presented in front of the lens is my character interpretation of Wang Guiren. This time, the outer coat features an off-the-shoulder design in a black, red, and gold color scheme, with the inner top faintly revealing a pink tone through the tulle. Together with the huge fluffy tail and ears, the overall look indeed fits perfectly with that "fox immortal" vibe in the setting. To achieve this effect, the wig specifically underwent a multi-layered fluffy treatment, and some agile stray hairs were pulled out according to the reference images. Coordinated with the green pupils, it strives to recreate that lazy yet slightly mysterious gaze of the original design.
In this costume, the metal waist ornament with a ruby on the chest is a detail that pleasantly surprised me; its metallic luster looks highly textured under the lighting. The fluffy tail is massive in volume with a well-handled texture, which not only visually elongates my body proportions but also provides more room for creativity in sitting and lying postures during the shoot. As for the headwear, matching that pair of pointy beast ears with the hair accessories actually took a lot of thought—ensuring it could be firmly secured on top of the head without looking out of place, while also coordinating well with the flow of the wig.
For this shoot, I chose two completely different styles. One is in an indoor scene resembling a Japanese tatami, paired with a pink cherry blossom oil-paper umbrella and a red-and-gold gradient folding fan, conveying a more casual and lazy home vibe. The other style involved moving to an outdoor courtyard rooftop with lanterns hanging behind to simulate a moonlit night scene, with two small white rabbits placed nearby as props, pulling that "ethereal aura" out a bit further for this Traditional Chinese style cosplay.
To capture the right postures, I not only had to strike various expansive sitting poses on the hard tatami but also strive to maintain balance on the eaves. To bring out that flowing elegance, the photographer used a wind machine throughout the process. The long hair and huge tail are truly so easy to mess up; with every shutter click, we had to check if the hair strands blocked my eyes or if the tail was pressed into unnatural folds—it was truly painful yet joyful. When the wind blew, the long hair strands would briefly cling to my face, and that instantly captured messy look conversely possessed more vitality than forced poses during this cosplay photography session.
When shaping this character, I looked at many design sheets; a part of her temperament is that sense of relaxation after experiencing the vicissitudes of life. Therefore, my gaze couldn't be too fierce, nor could it be overly weak; it was best to be that sort of half-smiling expression—seeing through everything yet willing to play along casually. This is also why I tried my best to keep an aura of effortless ease in the previous standing poses and close-ups. Holding a folding fan or placing the rabbits, it is precisely this subtle prop interaction that allows the character to step out more vividly from a flat plane, making a beautiful Kemonomimi girl portrait.
During the indoor shoot, the texture of the tatami and the blue geometric wall behind formed an excellent color contrast, just right setting off the dark red and gold of the clothing. As for the outdoor set, the pitch-black background paired with an artificial full moon made the texture of the fur under backlighting look softer, while also creating that unique atmosphere in a late-night courtyard. The control over light and shadow also elevated the overall quality of this set significantly.