When I received this letter, my first reaction was to put it into a picture frame. This outdoor on-location shoot had been prepared for a long time; from the making and adjustment of the costume to the transportation of the massive golden frame and numerous faux flower props, every detail strove to present an atmosphere that best fit the story itself.
When setting up the scene, we specially chose these stone steps and columns with classical textures as the background. The depth of the stone steps combined with the staggered frames creates a natural frame composition in the lens, letting the overall visual focus naturally rest on the interaction between the character and the letter. The sunlight was very abundant that day, and the light filtering through the columns hit the skirt hem, forming a beautiful chiaroscuro line. In fact, controlling my gaze against the harsh light during the shoot was quite difficult, but seeing the dappled light, shadow, and the folds of the skirt in the final results made me feel that all the sweat from that time was entirely worth it for this light and shadow portrait.
Regarding this vintage dress, the white multi-layered skirt looks light, but the amount of fabric used is actually very substantial. The petticoat and every single fold needed to be carefully ironed and organized to achieve a fluffy and well-shaped visual effect. The golden decorations on the deep blue coat, the retro white lace neckline, and that green gemstone brooch were all repeatedly checked by me for proportion and texture during the costume and prop phase. The red ribbon on the hair is a highly important visual anchor for the entire styling, paired with the light golden wig, hoping to provide enough recognition in color.
The hand movements holding the letter and the lantern were also the focus of this shoot. To avoid rigid postures, I experimented with several different gripping angles and shifts in center of gravity, selecting a relaxed pose leaning against the picture frame and two sets of movements turning sideways to gaze at the lantern, hoping to convey a quiet yet narrative emotion in the frame. The lantern prop was manually adjusted by the team, with some weathering treatments on the surface so that it could withstand close-up magnification in front of the lens for this outdoor cosplay photography work.
There were actually many minor interludes during the shooting process, such as the surface of the steps being quite slippery and the wide skirt hem easily tripping me, requiring constant attention to safety; for example, the faux flowers would be blown crooked by the wind during breaks, requiring repeated adjustments. But these form a part of the entire photography experience. For me, being able to immerse myself in this character's atmosphere and transform the image in text into a reified lens language is a highly enjoyable thing. Huge thanks to the friends who carried heavy objects, helped arrange props, and pressed the shutter that day, allowing me to smoothly present this set of images.