The most interesting part of this shoot was the process of picking books.
Walking around the bookstore, I kept thinking about how to make this set of photos fun, since simply standing or staring dryly at the camera easily looks stiff. As luck would have it, while passing the literature aisle, I locked onto the target in an instant: I Want to Be the Person Who Describes Your Life at Your Funeral. Looking at the title alone, the book carries a heavy sense of life-and-death parting paired with solemn dark humor. Holding it in hand, my first instinct was that it was perfect for contrast compositions. At that moment, photographer Liao Liao and I exchanged a glance and decided to start right from this cover.
To match this book touching on grand themes of life and death, we specially created a little studio scene in the first image. In the upper half, I raised the book completely to block my face, leaving visible only my floating silver-gray hair and hands clad in a school-style vest, while blonde-haired Ah Ya leaned in beside me, keeping half the frame hidden and leaving plenty of room for viewers to peek. In the lower half, we slowly lowered the book so both our eye areas were revealed. Forehead line nuances and eye corner makeup details were spot-on under the warm lighting; paired with that tiny line on the cover reading "How great it is to be alive," the contrast at that moment was truly incredible. This kind of gap moe contrast is precisely what I love capturing most in cosplay.
Switching to the second book, I Just Love How You Can't Stand Me Yet Can't Get Rid of Me, brought out a completely different emotion. I displayed this one directly in my hand; the cartoon dog on the cover and that title packed with playful defiance struck right at Xia Ya's character tendencies in certain settings. Ah Ya, wearing an off-white suit jacket with a bowtie, stood there with arms crossed and chin slightly raised, her expression carrying a hint of tsundere disdain that perfectly matched the vibe of the book title. Standing beside her holding the book, with one active and one still, one straight and one angled, a sense of compositional balance emerged.
Looking closer, what helped us complete this photo set was also the inherent tranquility of the bookstore itself. Tall wooden bookshelves stacked layer upon layer, with soft gentle light streaming down; thanks to plastic wraps and the aroma of paper and ink, the images lost the stiffness of deliberate posing, gaining a touch of casual real-life serendipity. I particularly love Bookstore photography with a touch of daily life—compared to deliberately finding a solid color backdrop, interacting with actual props in concrete scenes allows cosplayers greater depth for expression.
My partner Ah Ya (Junjun Writing Code Crazy Ver.) is also an old acquaintance; our tacit understanding is always there, and she exudes presence just standing there. The photographer, Liao Liao, understood the vibe we wanted as well, controlling the rhythm of candid snapshots and guidance extraordinarily well without extraneous movements. Pre-production prep like makeup, wigs, and costumes, paired with just the right book titles in the moment—even though shot in a public place, we were completely immersed in that small character scenario, feeling relaxed and entertained.
To be honest, cosplaying often feels like taking a character on a journey through a parallel universe. You don't need to intentionally perform grand narratives; being able to find that tiny piece in everyday life that matches the character and freezing it in time in your own way is already a fulfilling experience. This Casual cosplay set was posted casually, but it is truly one of my proudest recent works. Using these books with a touch of "contrast literature" traits to highlight the character satisfied me completely. I hope when everyone sees these photos, you can share a knowing smile just like we did in front of those bookshelves.