A lot of thought went into both the wardrobe and set design for this Blue Archive Ichinose Asuna Qipao shoot. The outfit is crafted from bright blue satin fabric that casts a distinctly silky sheen under studio lights. The neckline features a high halter cut with a teardrop keyhole cutout at the chest, accented with golden piping and white floral embroidery to deliver rich visual depth. Several metallic frog buttons adorn the collar and chest, while the bottom is designed with daring high slits. To complement this attire, I chose sheer nude Stockings paired with glossy black pointed-toe stiletto heels to visually elongate the leg lines.
For the wig, I went with light golden straight long hair featuring blunt bangs and elongated sidelocks framing the face. The light-blue concentric halo accessory atop the head was anchored to the wig with transparent supports; because it carries some weight, multiple hairpins were required for stability. The makeup centered primarily around the eyes: blue contact lenses matched the character's blue eyes, complemented by deepened eyeshadow and liner, with a glossy, hydrated finish on the lips. In terms of accessories, multiple wooden and bodhi-seed bead bracelets stacked on the wrists harmonized naturally with the Chinese-style furniture on set.
The shooting took place in an authentic Chinese-style studio complete with a circular wooden lattice arch, carved mahogany armchairs, bonsai trees, and a tasseled white floor-standing palace lantern. To heighten the atmosphere, a smoke tablet was burned on-site to weave subtle mist through the air. The white faux-fur stole worn draped over the shoulders served as a highlight: the fluffy texture juxtaposed against the cool, slick satin, enriching the composition's color palette while softening the overall aura.
Posing involved extensive seated setups, requiring careful coordination of crossed leg angles and hand gestures to keep the back straight while elongating bodily contours. In one shot, resting a leg along the armchair's armrest demanded engaged core muscles to hold balance, requiring several angles before the photographer captured the ideal shot. The lighting setup utilized cool-toned rim lights to echo the blue fabric, balanced by warm frontal key lights to preserve skin texture and garment luster.
Many have asked about post-processing: absolutely no AI generation was used. Every adjustment to lighting and skin texture was retouched manually by hand. Because the on-set lighting was calibrated meticulously, post-production focused primarily on color grading harmonization and micro-adjustments, keeping natural skin grain and authentic fabric drape intact. While manual retouching takes time, it guarantees the purest sense of realism. That wraps up today's share—hope everyone loves this Qipao portrayal.