Shooting this set of 2B from NieR:Automata was genuinely a mix of pain and joy. On the convention floor, whenever the photographer proposed yet another pose requiring high-difficulty bodily coordination, only one classic complaint echoed in my head: 'Sir, do we really have to shoot this pose?' Complaints aside, as a cosplayer who has portrayed 2B numerous times, I knew all too well that to get standout shots in a chaotic convention environment, you simply have to push yourself.
The photo area at this World Line comic convention was bustling, with reflective umbrellas and fill lights crisscrossing everywhere. I managed with great effort to secure a clean backdrop amidst the surging crowd. The texture of this costume is exceptional: the black velvet carries a delicate sheen under the lights, and the white thread embroidery tracing the skirt edges is remarkably exquisite. However, the most grueling part was definitely that pair of over-the-knee high-heeled boots; with the heel height plus the platform, standing for extended periods made my feet intensely sore. To bring out that razor-sharp yet elegant aura, I specifically picked these boots with vivid red soles. In the third shot featuring the look-back pose, to display the back cutout design and leg lines, I had to keep my balance on my ankles while reverse-gripping that heavy longsword. My wrist was under serious strain, but seeing the dramatic tension in the finished photos made everything worthwhile.
The silvery-white short wig required careful trimming and setting to fit the contours of my head cleanly. Pairing the blindfold with the silver-white gloves immediately evoked that distant, detached aura of a battle android. For this shoot, we opted for a highly restrained monochrome palette, preserving only the red of the lips and the red soles in post-processing. This visual treatment not only lent the images a cinematic quality, but also made the character's icy demeanor pop even more vividly. The contrast ratio on the convention floor was harsh; to prevent the cluttered background from distracting from the subject, the photographer deliberately dropped the camera angle, utilizing floor reflections to enhance spatial depth. Although surrounded by many onlookers during the shoot, once locked into character—standing there with blade in hand—it truly felt like standing amidst the desolate ruins of Earth.
Producing this entire set took more than half a day, switching across several scenes, and hauling light stands back and forth was pure heavy lifting. Special thanks to the photographer friends who helped with lighting and adjusting my skirt hem on site. Every convention photoshoot is a double drain on physical stamina and mental energy, yet bringing a beloved character to life with such tangible texture is an immensely rewarding process in itself. Once retouching for this set wraps up, this costume will be tucked away in the wardrobe for now. Looking forward to meeting more fellow enthusiasts at the next event to exchange tips on shooting great photos.