Shooting this set of Honor of Kings Diaochan Mucha style took quite a lot of thought in the early stages just to establish the main tone of Art Nouveau aesthetics. The entire look features a mint green, gold, and white color scheme, fitting the elegant and naturally spiritual texture depicted in Mucha's works.
The wig is a key focus of the overall look. The mint green long hair underwent meticulous layered trimming and curling, and was intentionally elevated and given a fluffy treatment so that the styling on top of the head could fit perfectly with the headpiece, avoiding a top-heavy appearance. The golden branch-like headpiece on top of the head is adorned with flowers, shaping an elf-like silhouette. During the shoot, the angle of the headpiece had to be adjusted frequently to prevent it from being obscured by the wig or sliding off my head.
The customization process of the costume was the most time-consuming. The white main fabric is covered with a large number of metallic embossed leaves and hollowed gold borders. To present that flowing, natural sense of curves, every piece of gold trim was hand-shaped and sewn onto the fabric during later production. The blue-green faux gemstone inlays at the chest and waist add a sense of weight and luxurious elegance to the overall look. The high-slit design of the lower half paired with lightweight, semi-transparent golden tulle not only enhances the ethereal feeling during walking and posing but also beautifully showcases the overall tailoring of the outfit.
This set of photos was shot indoors in a venue featuring European stained glass windows. The white Roman columns, blue-and-yellow vintage stained glass, combined on-site with blue-and-white hydrangeas and daisies, as well as a white decorative birdcage in the corner, constructed a dreamlike and vintage atmosphere. The photographer's control over the light and environment here was crucial. To present a rainbow halo effect similar to the refraction of a glass prism in the frame, we utilized a special physical filter in front of the lens and a specific fill-light method to cast that gorgeous, soft glow onto the skirt hem and tulle.
Finding suitable dynamic angles during the shooting process was one of the difficulties. For instance, in the full-body dancing shot, I needed to keep the golden tulle on my arms gracefully extended while also minding the drape of the high-slit skirt hem and the weight distribution on the gold strappy high heels; a whole set down consumed a lot of physical energy. The close-up shot holding the bouquet recreates static elegance, where tiny changes in gaze and gestures heavily affect the overall atmosphere. The final picture frame composition utilizes a large-format golden carved photo frame to create a "picture-in-picture" visual effect, echoing the stained glass window backdrop, as if putting the character into a Mucha style oil painting.
The biggest challenge of this shoot lay in the weight of the headpiece; wearing it for a long time put considerable pressure on my neck and shoulders, yet I had to ensure the stability of my head posture in the frame. On-site, we were also constantly adjusting the lighting and the floating trajectory of the tulle skirt, striving to present a light sense of rhythm in every frame of this Cosplay photography session. Without complex special effects in post-processing, more focus was placed on the early-stage styling restoration and the control of on-site light and shadow, hoping this set of photos can bring out a bit of mural-like vivid breath.