When I put on this white outfit with gold trim and black-and-white inner stripes, my first impression was that it felt light with a subtle drape. Since the design of this outfit is quite minimal, the small cape on the shoulders and the black leather belt at the waist became the main visual focal points; cinching the waistline properly is essential to pull off this demeanor. Today, I'm doing a makeup test record through mirror selfies at home, fine-tuning everything from the wig to the props myself.
First is handling the head area. Wearing these elf ears properly requires some technique—fixing them slightly higher, combined with the silver twin tails on both sides, provides a great face-framing effect from the front. The wig was styled beforehand, but to maintain fluffiness, I used a straightener to smooth out the ends before shooting. The staff prop is actually quite heavy. Holding this long-handled staff with a golden crescent moon and a large red sphere not only needs to look commanding, but its weight also shouldn't affect my body posture. During the shoot, I tried holding it with both hands interlocked or lifting it with one hand to find a balance.
In the front-facing standing pose like in photo 1, I mainly wanted to showcase the overall costume silhouette and black tights outfit combination. I chose brown mid-calf leather boots, which, paired with black tights, create a nice layered color effect on the lower body. The black tights are indeed a standout stroke in the overall outfit, enhancing leg shape while forming a striking contrast with the white skirt. Photo 2 captures the back angle, mainly to check the drape of the cape behind and the waist-cinching effect of the belt. Photo 3 attempts a low-angle squat, where the skirt spreading out on the wooden floor nicely displays the dynamic details of the outfit.
There was a mindset description about \"seeing a mountain as a mountain\" in a previous post, and in interpreting this character, this mindset change indeed fits very well. Standing in front of the mirror adjusting details, it doesn't feel like just changing into a costume, but more like stepping into her calm yet insightful pace. White clothing easily gets dirty, especially around sleeve cuffs and skirt edges; shooting indoors also requires extra attention to reflections on the wooden floor, avoiding clutter that interferes with the shot.
I encountered a small challenge during the shoot: mirror selfies often block the face with the phone, so I had to rely on stickers to cover the phone's position. However, this also added a layer of fun to the imagery. To convey the character's traits, my expressions and gaze needed to reflect that indifference. Although it's an indoor record in a fixed setting, these three photos from different angles manage to present the costume details and my personal interpretation.
The color reproduction of the outfit and props under light turned out well—the white base didn't turn gray, and the gold trim carries good texture. As a personal makeup test record, while retaining the original design feel, I also added my own styling thoughts. The combination of black tights and brown boots didn't overpower the rest of the look, but rather aligned well with her light travel setting.