The texture presented by this Sunna costume under the live venue lighting makes me feel that today's set of photos is well worth recording and sharing. As a remake of previous work, new adjustments have been made in both equipment sophistication and action expressiveness. The overall vision of the clothing is based on white and black, paired with a large area of bright orange for embellishment, making the character's outline look very distinct. The wig on the head adopts a light mint green tone, with puffy and slightly curled processing, paired with black and white cat ear headwear and white ball hair accessories, which can outline facial lines well under the studio flash. The face makeup focuses on enhancing eye makeup, with dark markings under the right eye and the overall demeanor matching, presenting a playful and confident recognition. In terms of detailed accessories, the bells at the neckline and the orange tie are one of the visual foci of the entire frame, increasing that light rhythm when moving. Although the tiny translucent wings attached to the back are very compact, they add some dreamy atmosphere to the overall styling. The black and white ruffled cuffs at the wrist, as well as the orange small butterfly bows on the white over-the-knee socks, are details in this styling that I am very satisfied with. The shoes selected thick-bottomed white casual sports shoes, which not only make the height proportion appear more slender but also balance the gravity center of the clothing's lower half very well. The live venue on the shooting day was in a convention hall environment, with metal trusses overhead and arranged lighting equipment forming a good background space sense. Photographer Katsuragi-teacher made very detailed arrangements for lighting, using nearby softboxes together with the main flash, allowing character face illumination to be even, while pulling apart space distance between person and dark background, making whole set of photos have good 3D feel. We also communicated many times on pose selection. In addition to basic standing poses, we also utilized black folding chairs within the venue for a half-lying tilted action, this angle can well show off leg lines and over-the-knee socks details, while visual gravity center of frame is very concentrated on person. The process of remaking this set of work is actually a process of re-examining character positioning. Compared to the last shoot, this time there has been progress in prop holding feel and pose relaxation degree. For example, in jumping shots holding a water gun, to show necessary dynamic feeling, I tried jumping multiple times, finally grasping moment skirt flies up. One-leg balance standing pose needs gravity center control, keeping body in natural state instead of stiffly forcing pose. This kind of dynamic shooting atmosphere is indeed easier to stimulate natural lens expression ability. Venue lighting changes constantly with time, but live lighting debugging gave us great freedom. We would also review photos for exposure and composition during shooting gaps to ensure every photo could have clear processing. The whole set of photos has both half-body close-ups, allowing people to visually see bells, webbing, and face expressions on clothing; also whole-body dynamic captures, merging water gun props and clothing colors perfectly. As an anime cosplay output process, today's set of remake photos matches character settings very well in light/shadow texture and demeanor/emotion, clearly presenting delusional angel theme style, it's an experience full of harvests.