This casual derivative outfit for Keqing took quite a lot of thought from makeup trials to studio selection, mainly because I wanted to express the Yuheng's blend of capability and gentleness through a pure white bridal aesthetic. For the dress tailoring, I chose a halter-neck short dress featuring extensive guipure lace patchwork across the chest and neckline. The wide white belt at the waist with vintage gold buttons cleanly cinches the waistline visually, giving the overall silhouette a crisp, upright look. The most time-consuming part was actually the three-dimensional embellishments along the hem: the alternating purple and gold abstract motifs integrated the character's classic motifs, accented with a small white flower that immediately brought out rich layers.
The key to the wig styling was faithfully recreating her iconic twin tails topped with two hair cones (odango buns). I carefully sculpted and set them with hairspray, adding deep blue bows, gold leaf accents, and white floral hair accessories. Combined with violet contact lenses and a soft pink-toned eye makeup, I aimed for eyes that look crystalline yet retain that subtle sharpness. To match this pure white dress, I deliberately chose long white gloves revealing lace patchwork edges along the arms, and paired the lower half with lace-trimmed white over-knee stockings (White stockings)—retaining the character's distinctive color palette while introducing graceful details.
The shooting took place in an all-white indoor studio where the white piano, European-style sofa, and gilded birdcage elevated the ambiance perfectly. The biggest challenge during the shoot was controlling the light: because the entire environment was predominantly white, overly harsh lighting would wash out the fabric textures and delicate lace. Therefore, we used softboxes from the side as much as possible to preserve the saturation of the purple accents while giving the contours of the white stockings and gloves clear three-dimensional definition.
For posing, I experimented with various interactions. For example, sitting by the piano, I leaned slightly to one side and shifted my weight to one leg, allowing the skirt to drape naturally so the details of the white stockings and lace tops stood out clearly in the frame. When holding the white rose, I relaxed my wrist and held the stem gently with my fingertips without gripping too tightly, keeping it natural and fitting the setting of a character who is serious on duty yet tender at heart. When holding the miniature pastry prop, I raised my wrist slightly for a close-up shot to draw focus to my face and hand gestures, creating an approachable, daily-life contrast. To showcase clean leg lines, I readjusted my seated pose many times to keep the posture elongated and prevent the skirt from bunching up bulkily.
I usually shoot outdoors, so shooting against an all-white studio backdrop required paying extra attention to the texture and material of the outfit. All the props and accessories this time were curated and fine-tuned piece by piece. Through this photo set, I hope to capture a side of her outside of serious work—a state as pure and gentle as a white rose.