This time, I shot a set of photos outdoors near a wooden cabin surrounded by a bamboo forest and water. I chose this character because Sora's detached yet soft temperament is perfectly suited for an outdoor photoshoot far away from the hustle and bustle of the city. Honestly, managing a white twin-tail wig is trickier than standard hair colors. To prevent it from looking overly frizzy or plastic, the stylist put a lot of effort into trimming the ends and styling the bangs, making it look natural while flattering my face shape. For the outfit, I specifically selected a white sailor collar top with gray piping, paired with a light-colored pleated skirt, black tights outfit, and classic loafers. Under the soft natural light of an overcast day, this ensemble balanced out the large areas of white beautifully, resulting in very comfortable color tones. The dark gray long-eared plush rabbit in my arms was another indispensable element—more than just a prop, it acted like a companion in the photos, giving my hands a natural anchor so I wouldn't look stiff while zoning out.
The shooting location that day was a traditional outdoor courtyard with extensive bamboo, wooden architecture, a shallow pond in front of the house, and broad-leaved plants along with mossy stones near the water. With no harsh direct sunlight, the diffused natural light passing through the forest made facial contours look exceptionally soft. During the shoot, to capture this sense of tranquility, I tried sitting on a wooden walkway bench holding the rabbit while zoning out, or sitting on the edge of a wooden corridor with my legs dangling above the water. Shooting while sitting on the corridor edge in a black tights outfit and loafers with legs dangling (which is the cover photo) was actually a real test of balance. The legs needed to relax into a lazy, straight stretch, while my hands subtly supported my center of gravity so that lighting across the black tights remained even without awkward wrinkles or shadows. The photographer working with me that day was literally lying on the ground looking for compositions, shooting from practically half-immersed positions near the pond.
Everyone said this set of photos conveyed a cinematic feel, and I think the biggest credit goes to the restraint in early lighting as well as the suppressed low-saturation teal tones in post-processing. We didn't use any dramatic fill lights, relying entirely on the ambient lighting contrast to deliberately darken the bamboo forest vibe and wood textures in the background, allowing the subject to stand out softly. Shooting such a tranquil emotion relies heavily on eye expression—you can't have an obvious smile; it requires a touch of cool detachment and thoughtfulness while maintaining a relaxed posture. Throughout the shoot, I held the rabbit while looking at the water or stared blankly at the wood grain, trying to capture the most natural, serene moments. Although the outdoor environment right after rain was humid, it covered the greenery with a moist, lush luster that enhanced the picture's clarity. Post-processing focused on fine-tuning light and shadow, making the wood tones deeper, softening reflections on the water, and unifying the overall palette. Following this process really allowed people to feel that tranquil serenity unique to everyday ACG moments. Consider this a little record of the experience behind these photos.