Putting on this green-and-white Umamusume: Pretty Derby racing silk, putting on the blue contact lenses, and standing in front of the studio's purple gradient background, I instantly entered the 'Silent Suzuka' state this time. With the opportunity of the server launch, combined with the theme 'The Fugitive from Another Dimension', I hoped to use a set of professional Studio shoots to restore that quiet yet powerful horse girl image on the racetrack.
The costume for the character this time is highly particular about color coordination: a large area of white serves as the base, supplemented by vibrant green and accented with yellow lines, giving a strong sense of visual layering. Meanwhile, the purple bowtie and matching gloves and leggings form a wonderful contrast in color psychology; without overshadowing the main subject, it highlights the character's stability. To fit the character, I specially chose an orange long straight wig with a soft texture, trimming the bangs to an appropriate thickness so they lightly cover the forehead. Combined with the teal three-dimensional bowtie on the hair accessory, it instantly captures the character's soul. The texture of the hair accessories is key, as the teal glossy fabric reflects beautiful colors under the Studio shoot light source.
In terms of makeup, contact lenses are the soul. I wore bright blue contact lenses, and the eye makeup was not done too heavily, focusing instead on defining each eyelash and the subtle blending of eyeshadow, with the emphasis on highlighting the clarity and focus of the gaze. Combined with a flawless base makeup and soft pink lips, it manifests a gentle yet resilient temperament in front of the lens. I feel this unpretentious, introverted beauty is precisely the most attractive facet of this character.
During the actual Studio shoot process, I stood on that black circular high platform, which easily creates a sense of stage in space. In the first photo, I chose the action of lifting the skirt hem, primarily to better display the layered design of this uniform, including the white outer skirt hem, the yellow and green stripes on the edge, and the deep purple pleated lining hidden underneath. Combined with the wrap of the entire pair of purple leggings, it visually elongates the leg lines. The design of lifting one leg in the second photo slightly challenges balance but adds to the agility of the frame, as if truly maintaining a dynamic balance on the racetrack. The cooperation of hand movements is also important; wearing purple gloves with fingers naturally curved subtly guides the audience's sightline.
For close-up shots, such as making a 'pistol' gesture or reaching out toward the camera, it breaks the rigidity of horizontal and vertical lines, increasing the sense of interaction with the audience. The photos reaching out utilize a lens with stronger perspective, making the visual tension more robust. When looking directly into the lens, it feels as if one can truly pierce through the screen to connect with the person viewing the photos. Although the entire shooting process required constantly adjusting the skirt hem and wig, as well as refixing the standing posture to keep the clothing flat, the final effect in the prints was quite ideal.
In line with the theme 'The Fugitive from Another Dimension,' the purple-blue gradient background fits exceptionally well, like bridging a gap between reality and fantasy. Putting on such a well-restored Anime-style fashion outfit is not just about wearing clothes, but entering the character's state. I tried to experience her focused, quiet state of mind before a race, undisturbed by the outside world. This introverted sense of power is also what I want to convey to everyone through the photos. No matter how many times I watch the replays, this combination of costume and makeup still allows me to maintain high enthusiasm in front of the lens, and I hope friends who like this character can feel this sincerity.