Preparing the costume and props for this Arknights Surtr cosplay photoshoot took considerable time beforehand. We deliberately chose two contrasting locations: an overgrown wild field for Outdoor photography and an abandoned Ruin style setting with peeling walls. The outdoor series was shot under direct light, where the blue sky and green plants served as backdrops to accentuate the cool-toned contrast of the red hair and black dress. To elongate body proportions, the photographer stayed crouched on the ground shooting from low angles throughout; because the grass was so tall that day, the cross-shaped weapon prop had to be held to the side of the body to avoid awkward clipping with the surroundings.
The ruin series was shot in the afternoon. The surrounding light was cold and hard, and the rich textures of the weathered walls provided a natural backdrop. After testing several positions, I chose the corner of the wall, using blurred black cloth in the foreground to add depth of field while locking the character at the visual center. The fractured aesthetic of the Ruin style matched the character's lore atmosphere flawlessly.
Regarding costume details, this black leather dress with multiple belts and the iconic black horns was quite demanding to wear—especially securing those two horns firmly on my head so they wouldn't slip off. The over-the-knee stockings featured metal buckles and were tricky to put on and take off; paired with high heels, walking was genuinely difficult, but the visual result was fantastic in this Stockings cosplay presentation. Low-angle perspectives beautifully showcased the leg lines and layered skirt hem. We had to mind posture constantly because the skirt was relatively short, requiring frequent angle adjustments.
The long red hair was styled repeatedly to appear voluminous and layered. Although the wig got messy by the end, the red glow catching the backlight was strikingly vibrant and photographed wonderfully. In the wild outdoor set, I lightly flipped my hair to inject dynamism into the movements, whereas in the ruin set, I kept still, relying on my gaze to convey cold sharpness and an oppressive presence. Looking back on the whole shoot, my favorite remains the third tighter half-body composition, which perfectly captured the head accessories, clothing straps, and stocking textures while keeping the posture natural and fluid. Post-processing focused on darkening the background, brightening the subject, and boosting red saturation to make the character's fiery traits pop.