Preparing this Morgan, Lady of the Water (Aesc) costume required immense patience, from its initial design to the final craftsmanship. The gold piping on the outfit uses magnetic components that are highly reflective yet absorb light intensely, easily resulting in blown-out hot spots or dark patches under chaotic convention hall lighting. To balance the contrast across the chest and midriff, photographer Weimang spent considerable effort adjusting the angles. The contrasting red bow tie and blue hair accessories served as our strongest visual anchors within the limited space, requiring expansive, graceful movements to maintain visual punch. The first photo uses a low-angle shot to emphasize her condescending, regal majesty, relying heavily on lower back support to keep balance. The second photo uses a high-angle downward perspective where my body was lowered significantly, demanding constant hands-on adjustments to prevent the skirt from tangling. As for the wig, an invisible base pad was added to the crown to recreate its thickness and volume, while the highlighted blue tips were extensions that cast a luminous halo along the hair edges in backlight. For makeup, pure blue contact lenses and light grey-brown eyeshadow contoured the eye sockets to accentuate her cold demeanor, complemented by slender, sharp eyebrows. Shooting conditions were harsh—with massive crowds, even heavy bokeh couldn't fully hide the density of the hall, so wide-aperture lenses were used throughout. The vision behind this set was to pay homage to the original 2D design; tactile details like the geometric folds of the skirt hem and the blue texture on the cuffs displayed distinct dynamism in motion. A fast shutter speed was crucial on-site because any breeze would blow the long hair onto my eyelashes or necklace, leaving many fine details to post-production refinement. All these preparations and on-the-spot adjustments were essential to do the character justice. I hope this convention photo set captures her signature aloofness and the physical presence of the outfit in a real-world setting.