When patterning and making this Kiritani Haruka uniform, I put a lot of thought into the lapel layering. The outer layer of black subtle-sparkle fabric is paired with gold piping, while the inner side is white; these details can increase the three-dimensional sense of the clothing in front of the lens. The inner light blue shirt was chosen with a relatively stiff material, and the collar needs to be upright enough to support the overall shape. The golden embroidered emblem and cyan diagonal stripes on the tie are key elements of this outfit. To recreate this exquisite feel, I adjusted the length of the tie and the fullness of the knot for a long time to ensure the front-facing lens could fully display it.
Regarding the wig, a blue bob cut can easily look heavy if not handled well. I first thinned out the overall hair volume of the wig slightly, especially the bangs area, trimming it to have a bit of wispy, airy feel so it doesn't stick rigidly to the forehead, and combined with the wispy strands on both sides, it flatters the face shape very well. The feather and dark blue-green bow hair accessories on the side are fixed to the wig cap with hidden clips, slightly adjusting the angle to the most photogenic position, which fills the empty space of the head in half-body compositions.
In terms of makeup, Haruka's eyes are very expressive. To recreate this feeling in close-ups, I adopted a distinct downturned eye makeup technique. The eyeshadow used a low-saturation grayish-blue base, layered with a bit of subtle sparkle. The colored contact lenses were chosen in a grayish-blue tone that naturally enlarges the pupils, and the lower eyelashes were drawn one by one using an ultra-fine liquid eyeliner pen; compared to wearing false eyelashes, this looks much more natural in close-up shots. Blush was applied to the middle of the face and the tip of the nose, paired with a pink glossy lip tint, restoring that innate energetic idol vibe. The base makeup used a high-coverage and long-wear foundation; since studio lighting is very bright, excessive contouring isn't needed, and maintaining facial smoothness and a translucent feel is more important.
Because the photos are mainly half-body close-ups, the upper body posture is very important. Open the shoulders slightly, bend the arms slightly to make a peace sign, tilt the head slightly, gaze straight into the lens, and control the expression with a gentle smile that isn't exaggerated but shows idol confidence. During shooting, the ruffles on the shoulders of the clothing tend to sag, so I had to use my hand to slightly pinch an upward curve before taking pictures. The tie knot is also prone to twisting, and I had to check its position in front of the mirror every few shots. The texture of this outfit photographs very well under lights, but it also reflects light easily, so I sprayed a little matte styling spray on the surface of the wig to lower the reflectivity, making the photos look closer to real hair texture. Actually, restoring a character lies not only in wearing the clothes accurately, but more importantly in the refinement of the makeup and the expression when facing the lens. This attempt can also be considered a serious refinement in these aspects.